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About The Battalion. (College Station, Tex.) 1893-current | View Entire Issue (Feb. 22, 1985)
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This gave people the op portunity to teach what thev had learned, and the challenge of creating an environment to give the teaching significance. “What we now refer to as the regions, that used to be equata- ble with the provincials, are now the future,” Hopkins said. “New York became the port ga teway to Europe.” New York, he said, is still the center of business, but no longer of the arts. “Can’t there be in this coun- tiy multiple centers?” Hopkins asks. “Can there be a west coast and southwest center.” Hopkins said he thinks the center is losing its power, its control. He illustrates this by citing the tremendous popula tion shift from the east coast to the sunbelt and the west coast, New York’s loss of 25 national company headquarters, and the election ofjohn F. Kennedy, the last president elected from the east coast. “I think the art that’s being produced in the center, that’s being shown in the center, is not necessarily the best art in the country,” he said. These are the works that people buy, because when the value increases the paintings will be donated to museums for tax breaks. Hopkins encour aged people to buy more works by local artists, even though it is of less monetaiy value now, so thev will one dav be avail able to everyone in museums. “People begin to buy the work of local artists, not be cause it will increase in value, but because: they like it,” he said. “As we move on through time and space, we find our own lifestyle and we find the art that goes with it. We are gaining confidence.” Lippard encourages a mu tual relationship between the artist and the public. “Art has ignored them, so people don’t care if it’s out there or not,” she said. “Too bad, because culture has a lot to give art and art has a lot to give people." \