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Tuesday,October 7, 2003
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Music Review V 2.00
Blue October
"History For Sale'
Univeral Records
Aggie Owned and Operated - Texas Certified HUB
College Station staple Blue October will more than likely be a national act after the release of its
album “History For Sale.”
The single “Calling You” received considerable airplay this summer and is also featured on the sow
track of the movie “American Wedding.”
Aptly titled, “History for Sale” allows Blue October to let loose the triumphs and pains of the bandmem
bens’ lives and pour them out through their music. Lead singer Justin Furstenfeld gives a poignant disclaim
to the individual after which the song “Amazing” was penned, “ ... and now our history is for sale a
that 1 apologize.”
The 12 tracks of “History for Sale” are superbly constructed and amazing to listen to. Many of the trads
vary in style, but never in quality as Blue October explores different sounds and tries new creative avenues
Classics in the making are “A Quite Mind ” “Somebody,” “Come in Closer” and “Amazing.”
Blue October should not apologize for the experiences its members have had because it has been trail:
lated into something beautiful. The combination of a great band, the uniqueness of having a violin playet,
killer vocals and lyrics make this band a pleasure to listen to.
Better Ingredients • Better
'uT
—Daniel Chapman
'.s
Tuesday Special JllBSgtlji
i
Music Review V 2.002
Saves the Day
"In Reverie"
Dreamworks Records
MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY SUNDAY
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Faithful Saves the Day followers listening to its new album, “In Reverie,” might be asking if ifsthe
same band. Much to the disappointment of many fans eager for a return to the band’s original sound,
this album basically travels down the same road “Stay What You Are” did but with less gas in the tank,
Chris Conley’s voice sounds a bit different. OK, a bit like a 12-year-old choir boy going througli
puberty. And yes. it is a complete departure from the band’s humble beginnings on “Through Beinj
Cool,” but don’t dismiss “In Reverie” just yet.
To think a band will never change its sound as it matures is naive, especially when you factor in sev
eral lineup changes in the band. After giving this CD a second listen, you might find it surprising!)’
upbeat and a good change of pace.
The intricate layering of guitar and soft drumming are reminiscent of early Weezer, and thisalmosi
gives the album a pop-like Sesame Street feel. One thing that didn’t change are the distinctive lyrics,
such as on “In My Waking Life:”
“Fm never in my waking life, dreaming is my all the time, whether it's the weather on my mind,
it’s all too much.”
The opening tracks “Anywhere with You” and “Driving in the Dark” make it impossible nottobft'
your head along to the melodic choruses. The album loses its pace on “She,” which is essentially ape
ty poem with faded acoustics in the background. The CD comes to an appropriate end with the last
“ Tomorrow too Late,” which starts out slow but picks up with an infectious chorus.
The bottom line: It’s a love or hate type of album. Old school fans might find it hard to get used to
the new sound, but give it a second listen and you'll be hypnotized by the melodies. . , v: .
NEW SHIPMENT OF
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-Chris Elmi
Music Review V 2.002
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Yellowcard
"Ocean Avenue"
Capitol Records
If you’ve never heard of Yellowcard before, it shouldn’t take you long to hear what sets this b:ind apart
from the others: an electronic violin. It’s not like it’s ever been done before, (“Glycerine” by Bush
“Good Riddance” by Greenday), but Yellowcard has found a way to incorporate this unusual accompaii
ment for a rock band seamlessly into every song.
Yellowcard does have a tendency to turn a few heads on the Vans Warped Tour when concert-goers 4
a violinist on stage rocking out like a third guitarist.
It’s not your typical boy-meets-girl, girl-breaks-boy’s-heart lyrics standard for the emo/pop-punk bands
of today. Yellowcard is all grown up on its sophomore album, “Ocean Avenue.” This surprisingly-togeth!
er album includes songs about faith, tragedy, losing band members and a heartfelt tribute to the 9-11 tragedy.'
Through extensive touring, the band has mastered its unique sound and is starting to get some recogni-;
tion on college radio. The first single, “Way Away,” is a little edgier than vintage Yellowcard but doesn’t
disappoint. A few songs that can’t help but stick out are “View from Heaven,” with its country-esque riffs
and “One Year, Six Months,” a delightful acoustic with warming lyrics.
Another feature that is well showcased is the Goldilocks style of drumming; not too much, not too little,'
but just right. Perhaps the most refreshing thing about this album is that each song is distinctively different;
they don’t all blur together into one elongated song. One of the best tracks on the album is “Inside Out.” It’s
not exceptionally outstanding, but it has that quality that makes you press the repeat button over and over
“Ocean Avenue” is definitely a must buy; don’t miss out on one of the best breakout bands of the year,
-Chris Elmj
'w''vY'Ct Make it stop, my ears are bleeding!!
★ Don't waste your hard drive space
Download it
wwwww Burn your friend’s copy
" t'C? Spend the dough, buy your own
’'dr Buy it, burn it, tell a friend
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