The Battalion. (College Station, Tex.) 1893-current, April 22, 2003, Image 4

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2701 Longmire Drive • College Station • 979-696-8481
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4
Tuesday, April 22, 2003
AGGIELlj
THE BATTAL#
AFI
"Sing the Sorrow"
Dreamworks
Unless you already own an AFI CD, chances are you’ve proba
bly never heard anything else like it. API’s cult following has been
loyal for more than 10 years now, but the band’s latest efforts
might require some patience from its devoted fans. Due to a
recent signing on a major label, AFI has been under much criti
cism. Although it has returned with a slightly different style, AFI
is still able to hold on to that certain uniqueness that has kept the
band going on “Sing The Sorrow.” AFI is known for fusing punk,
hardcore rock and even goth into a streamless sound that defies
labels. The band’s name itself, A Fire Inside, is a testament to the
passionate lyrics in many of the songs such as on “Silver and
Cold,” “It is silver and cold. You in somber resplendence I hold.
Your sins into me, oh my beautiful one now.” Lead singer Dave
Havok’s darker and melancholy verses are offset by the infectious
choruses that listeners will find themselves subconsciously singing
along to. API’s radio-friendly single “Girls Not Grey” has been
attracting music fans from all different genres. Other noteworthy
tracks include “The Celluloid Dream” and “The Leaving Song
Part II” with its ripping guitar. When it comes down to it, API’s
new CD may be an acquired taste, but if you open your mind and
give it a second or third listen you’ll be hooked.
—Chris Elmi
Trapt
"Trapt"
Warner Brothers
Trapt doesn’t display much originality on its debut self-titled
album, but it gives the average rock fan something worth listening
to. Its current single, “Headstrong,” has received a respectable
amount of airplay and showcases undeniable potential. Chris
Brown’s vocals prove to be solid,however, he doesn’t necessarily
show a lot of range. The band presents a fairly balanced mix of
crunching guitars and powerful riffs. Unfortunately, Trapt’s sound
has a striking resemblance to the boring ordinary set by many of
the new alternative rock bands today. One of the downsides to this
CD is the band’s ties to to a major label, which produces a
watered-down, ready-for-radio sound. The songs on the CD seem
to blend together with the exception of the acoustic stand-out
track. Other songs worth listening to are “These Walls” and ’’Made
of Glass ”
Trapt is not exactly headliner material, but would definitely
serve as a good opening band that could earn a loyal fanbase. If
you’re into bands such as Trust Company and Default, check this
band out. Overall, Trapt offers a sub-par rock sound that leaves
more to the imagination on its debut CD.
★★★'uTu?
—Chris Elmi
Madonna
"American Life"
Maverick/Warner Brothers
Madonna has captivated the world’s attention more than any
other artist in history. Combining undeniably appealing songs,
memorable images and an ever-changing look, she has, for two
decades, dominated an industry that is a revolving door of talem
But in her new, ninth studio album, “American Life,”
questions her success and happiness. Gone are the ethereal
covery of “Ray of Light” and the youthful exuberance of"
Instead, “American Life” is the bittersweet lament of a cultural
icon.
The album begins with the title track and “Hollywood.” Bi
songs are commentaries on America’s current obsession with fir
with lyrics such as, “(Hollywood) How could it hurt you wheni
looks so good?/ I tried to leave it, but I never could.” Forsome(
one who has reached the pinnacle of fame. Madonna is £
for some of the actions she took to reach it and questions
worth and satisfaction.
She also sings about how material possessions do not makefs
happy. In “American Life,” she raps, “I’ve got a lawyer, a mart:
er, an agent and a chef/Three nannies, an assistant and a driver
and a jet/ A trainer and a butler and a bodyguard or five/A garie
er and a stylist/ Do you think I'm satisfied?”
Despite the album’s dark tone, it does have some bright
moments. “Intervention,” with lyrics such as, “Love will diani
us forever/ Love will keep us together,” may be her sweetest lor
song since 1986’s “True Blue.” “Love Profusion” recounts her
devotion to husband, filmmaker Guy Ritchie.
The sound is stripped with mostly acoustic guitar and
Madonna’s high-pitched, soft-spoken vocals—a departure from
her usual, heavily produced songs.
With “American Life,” Madonna has finally allowed us tote
who she really is. She is not the boy toy, blonde bombshell,
dominatrix, geisha girl or urban cowboy — this time Madonna
simply Madonna. It is a serious departure from her previous
work, but it is her most sensitive, personal album to date.
—Jeremy Osk
CtyCCC Make it stop, my ears are bleedhj!
Don't waste your harddrive si
Download it
wuu Burn your friend's copy
Spend the dough, buy your ok
iiiii Buy it, burn it, tell a friei
The Office of Honors Programs & Academic Scholarships
presents
RESEARCH FELLOWS
SYMPOSIUM
for the
2002-2003
University Undergraduate Research Fellows
T he University Undergraduate Research Fellows Program is an important part
of the honors experience at Texas A&M University. This program is the most
prestigious research opportunity available for undergraduates, featuring a close,
master-apprentice relationship between student researchers and faculty advisors.
FELLOWS RECEPTION
2nd Floor Rudder Tower
Tuesday, 22 April 2003 - <3:00 to 7:00 PM
Faculty, students, and other members of the University community are invited to attend
the reception and any of the SYMPOSIUM sessions to learn more about what some of
Texas A&M University’s most successful, confident, and motitvated undergraduates have
been able to achieve.
TUESDAY 22 APRIL
7:00 to ?:00 PM
Cultural Studies i
(510 Rudder)
Sarah Walch
Dorotha Ocker
Lauren Miller
Robert Hudson
Engineering
& Physics i
(507 Rudder)
Regan Turner
Rebecca Flannery
Rajan Chandra
Education,
Business, & Life
Sciences
(502 Rudder)
Angela Skeeles
Brian Gibbs
Joseph Bain
THURSDAY 24 APRIL
7:00 to 2:00 PM
Cultural Studies 2
(507 Rudder)
Jennifer Reck
Daniel Steele
Amy Lepine
Melissa Henry
Engineering &
Physics 2
(504 Rudder)
Bharatinder
Sandhu
Kar 1J abl o n s ki
Robert Effinger
Roger Pearce
Engineering &
Physics 3
(510 Rudder)
Marcus Teague
Paul Gesting
John Stewart
Tasha Desai
Kelly Stumph
Life Sciences i
(504 Rudder)
David Owen
H. Courtney
Hodges
Claire Rowe
Ashli Moore
Garret Hayes
Life Sciences 2
(502 Rudder)
Jason Weidner
Katherine Bliss
Elizabeth Gray
Daniel Zeve
Should you have any questions, please contact Dr. Finnie Coleman, Fellows Coordina
tor at 845-4755.
□
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