1 fhe batta] ire ‘d from if described ZuJ enior al-Qaidaoi •n intimately J i activities fa J is no questim an oppoitujj him is helj lid ticials said ’aydah can i “s and locatioJ )cratives the | iy also know« i hiding. AggieUk THE BATTALION Wednesday, April 3, 2002 ake a shot of Injected md brings its live show to Texas A&M via MTV Campus Invasion By Lycia Shrum I THE BATTALION LW//kMflwJ onversations are kept light by interjecting wWI* nces w i t j 1 humor, probably the only thing 'zatiotl of, at keeps Danny Grady sane , if he talk ^‘ s ent ^ ess 30-minute J lie interviews. Irady, front man for the band - Stan Bedlinolted, along with guitarist Jade ar terroristanc| ons ’ bassist Steve Slovisky and Jimer Chris Wojtal, are on the supporting their debut album tngton, a W // Black, which has helped steer s' 11 analystwitiB awa y f rom the often heard 'ubaydahscap se “p 0 p/rock” ajor victory,i: j ts jjght lyrics and hard-hit- ictorysofar. I guitar sounds mixed in with just enow the oigas Lgh melody. Injected has found lida, it he lai I works. But Grady said he is con- ;aid. "Osamj led about staying focused and not taster piannet ig sight of what is important to lade some con band: the songs and their lyrics, (for a majorl individual instrumental capability, irsuit). If A “A song can have as many layers as privy to ilou want.” Grady said. “Not to say t obviously he; I any of my songs already have ; possibly whir levels of proficiency to them, but iden would go.'Jean lyric writing should be good ugh so that it can be interpreted on ; nany different levels. It can be as pie as you want it to be, or it can be ■*aHH!WBB om Pl ex as you want it to be.” IUhIUMH Injected has managed to create Taps graphic ft igsthat are not weighed down like ie April 2 issue ne music. Grady said some artists vas incorrect, ttoo many words in their songs, or n Page, a soph liter too many meaningless words :ural developmef lothesongs. He said keeping a song tored at theApnl; impact, simple and meaningful is e correctgraph/his e key to writing. So what kind of i. wsic accompanies these thought- rovoking lyrics? W lotced to describe Injected’s style of music, Grady said it would be straight-up rock ‘n’ roll. “It s just straight up, no frills and that’s it,” Grady said. “I don’t know any other way to describe it. That’s what I think when I sit down to write. I don’t think ‘Oh, I’m gonna write something that’s a cross between Soundgarden and Van Halen.’” Grady said the music is about the moment, which makes it worthy to be called rock ‘n’ roll. PHOTO COURTESY OF ISLAND DEF JAM MUSIC GROUP “Rock ‘n’ roll is about youth,” Grady said. “Rock really is a youth culture phenomenon, and youth is about the moment. All good records are just a moment in time captured for posterity.” Burn It Black, an album that took Injected only three weeks to record, holds on to that certain moment and incorporates it into the music. “Spending eight months to make a rock record, that’s just completely ridiculous to me,” Grady said. “It took us three weeks to record Burn It Black, and that’s long by my standards. You should know exactly what you’re gonna go do, and you should capture the excitement and the energy of that moment. Taking eight months to do a record is completely contrary to cap turing energy and excitement. You’re not being spontaneous enough.” It is not only in its music that gives Injected the right to call itself a rock band, but also in its performances. Grady said one of the most important things about rock music is that it needs to have a certain degree of spontaneity. Not only in the recording process, but also in live shows. “The fact that our shows are com pletely not planned ensures it will be a different show every time,” Grady said. Grady said a live show is one of the crucial aspects of rock ‘n’ roll. A live performance can sometimes make or break a band, Grady said. “When you go see a rock band, there’s a distinct possibility that it is going to kick the record’s ass and that it’ll be even better than the record,” Grady said. “It’ll be completely spon taneous and not planned out. That’s the thing that keeps rock vital — the live show and the spontaneity of it.” You asJrcd for it. You got it! You asked the Crossing Place tea to create apartments for students ujith contemporary furnishings and a comfortable, uibrant clubhouse where you’d hang out... We heard you! Then you said, match the prices of other student apartments... And W6 l|i said, you bet! 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