The Battalion. (College Station, Tex.) 1893-current, March 05, 2002, Image 6

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CONTROL
By At
■The Texas /
Mtdicine and
ha\ signed a
Kasey Chamber
Barricades and
Brickwalls
Warner Bros.
■ agreement,
country music scene for the first time orthoscwdits from the
hoping to escape today's mass-produc*University's Bi
country can look for comfort in Chamber’s (BIMS).
est album. (Grade: B-)
With an album cover
photo of a thin brunette
with a pierced lip, many people might
expect to hear the sounds of a punk rockstar
wannabe.
However the audience is in for a pleasant
surprise. Kasey Chamber's vocals, which
have been compared to Emmy Lou Harris'
with a bit of an edge, give listeners a straight
shot of old-style country.
Chambers, a 25-year-old from Australia,
wrote or co-wrote 12 of the 13 songs on
Barricades and Brickwalls, her second album.
"Not Pretty Enough" has a soft ballad begin
ning and sounds a little like adult contempo
rary. The third track, "On a Bad Day," features
the vocals of alternative country rocker
Lucinda Williams with a fiddle in the back
ground accompanied by a strong country
beat. Once again. Chambers brings old style
country to the album similar to the sounds of
the Dolly Parton, Emmy Lou Harris and Linda
Ronstadt trio.
The fifth track, "A Little Bit of Lonesome," has
a bit of yodeling that might be too hard to
swallow for those breaking their ears into
country music. In fact, "A Little Bit of
Lonesome" sounds like a remake of an old
Hank Williams song.
"Million Tears" is a soft, rolling tune that is
followed by the eighth track, "Still Feeling
Blue," which features a speedy fiddle and is a
great two-stepping song.
"Crossfire" crosses into a rougher state of
alternative country and "I Still Pray," a religious
duet with Paul Kelly, changes the mood of the
album.
Overall, those wanting to break into the
-Lizette flesemfe
■The
agreem
Cory Morrow
Outside The Lines
Write On Records
[ravel
bntinued fi
for safe vacatior
She said stud
Soldier
they shou
The title of Cory they do i
Morrow's latest CD is jDisordeih oi
Outside The Lines, but the ^^^MEHHmtries. condi
songs on thedisc spin well inside the confh W0LI,(1 resu,t in ;
of traditional acoustic country. | ^^Cathy Schutt
All of the songs are well-produced vr®* ce at
exceptional sound quality, allow-:
Morrow's Merle Haggard and Don Willia-
remmiscent sound to come through, but-
essence of this collection lurks in subtle.
There are nuances and poetic hints th»
might escape a casual listener through:; ■ontinued I
the album.
Some might categorize the material as & Taliban militia
dard country fare. Others will find straight!- W rt , ,ez -
ward, unencumbered country storytell- ,J N ' anies t , 1
profuse with confessions of personal triun-;- , ! vit 1 he 1
and tragedy. As with all lyrical interprets ^ men
and creation, perspective is everything. I the dan(l
Many of the songs for listener enjoymerv*-. Bush's declai
love songs such as “Mon- Than Peri*
"Better Than Being in Love with You’and 1 ;
Over Again." Some swing wide of the ronurc o
genre. "In Spite of Spite" bleeds from Morrow
Cl-ama bin Lai
difficulty of
E icials say i
anized pocl
religious and spiritual side and requires sc-: in eastern Afgl
analysis and an extra listen or two.
The vocal melodies are smooth and intnj,
ing, and the musical accompaniment isV
from ground-breaking. All this works to
Morrow's thoughts and feelings come ac.
without the interference of unique musicr
(Grade: B)
—Thomas Wi, ;
The operati
■aj. Gen. Fi
manding gem
Mountain Divi
Cion ini
Continued fi
Financial
MEET ME AT
SATCHELS
for
s 1 — Longnecks
All Day / Everyday
the same behav
urrcct their ori:
■ Dr. Mark \
associate profe
said contrary u
mere ializat ion
If “it is impel
■plied outside
absolute obliga
I The Human
recent news ol
cloning only fui
trials with med
for mothers to
I A&M Veter
on the Genetie
known why the
and none of thi
I “It is impc
unknowns, an
answer the ur
individual anil
establish the ti
•f Westhusin
embryos. The
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