ji#uesday, February 27,2001 Page 3A ,nti nuedf mk ; “Station, said J “v Council i ' 1 sal estaxattli e ' -eting. fma tion was ait icthoi Bryan % loca l tax exempt ntinued front igh win threeco 1A state title d 45 straight team all-state amed second vl Today. • absolutely de,, o s athletic & ■> said. “Ouretit: i is grieving fe ghomsweresfe ; i days with fcl mmage scliei -: trterback que: i ■rown andthe! od of the 3 white wentderl ip-flopped the t seasont ed Applewhite, ailed the last;: o wins overt 1 before a 35: e Holiday Bos irew four i Ducks but sir . i position totic.: his receiver.' ial game-tyiis ■ . Longhorns fei d No. 12. te is ITscair:. rown was nor \ hen declaihifl i spring andpre.p ell. ople think y« : lecausehepLC' career and ir: We appreciat ; that’s imponl ho can help; By Mikel Parent The Battalion Last week, directors, screenwriters, producers and actors Hew in from all over the country for the 2001 Texas Film Festival. But film enthusiasts need not look as far as New York or Los Angeles to find tal ented aspiring filmmakers. Students who pay close attention to the listings in the campus course scheduling guides will notice that, last year, FILM was added to the course catalogue. This prefix denotes the newly formed film studies program headed by Dr. Terence Hoagwood. Students 1 serious about film at Texas A&M may now study it as an art form. The film courses offered each semes ter are good starting points for aspiring filmmakers who want to get a grasp on the art of film. Despite all the classes now offered, there are no classes in hands-on film production. Some students are content to view a film, but to a significant num ber of students want to make films of their own. Few organizations and clubs on campus allow stu dents an opportunity to engage in filmmaking. One organization that does is the MSC Film Society. The Film Society hosts a variety of activities on campus. It sponsors public showings of contempo- rary and classic films, organizes and holds the Texas Film Festival on campus each year, and has a sub committee that specializes in film production. The major projects completed by the production com mittee this year are three commercials for the Texas Film Festival. The production committee plans to de vote the rest of the semester to planning and shoot ing short videos on its newly acquired digital video camera. Another group that dabbles in filmmaking is the Screen Writing Acting Movie Production club (SWAMP). The major difference between the Film Society and SWAMP is that, while the Film Soci ety concentrates its efforts on a wide range of ac tivities, SWAMP devotes itself specifically to movie production. Matt Sully, president and founder of SWAMPand a senior journalism major, said, “ We have around 40 members, and we work on our personal projects and we also work on collaborative stuff.” Sully said the club was founded to concentrate on production and to perfect the skills of writers, directors, actors, photography directors and sound engineers. , “I was really interested in creating a place that would allow people to concentrate on their films,” Sully said. “ Filmmaking is a really complicated and time-consuming process. You can’t afford to divide out your time between too many things at once and still expect to get a good project completed.” SWAMP has been busy lately with its work on several shorts and a music video for an up-and-com ing country music artist from Houston. On a more serious note, SWAMP produced a commercial for Mothers Against Drunk Driving. ‘Tm really satisfied with what we have accom plished in such a short period of time. We don’t have a lot ol money and resources, but there are a lot re sourceful people,” Sully said. Independent filmmaking in College Station, Sully said, does not exist. v “ There really isn't one,” he said. — “There are a few people operating around here, but most are students and don’t have a lot of re- J sources.” Sully •— added, “Any- /. one that is scri- m ous about film- ^1 Mil making, or ^ y learning about film- making, should definitely consid er joining SWAMP.” A few independent filmmakers on campus oper ate primarily on their own. Eric Brentz, filmmaker and a senior biomedical science major, is at work on a screenplay about a blues musician. “It’s a story five been working on for over a year now,” Brentz said. “ I have been working on other projects in between, but I keep coming back to it.” Brentz also plans to film a few comedic i shorts to get some experience under his belt. “I’m fairly unfamiliar with a lot of the things necessary to make a good , film,” he said. “I’m still in the \ learning process, which is why \ \\ \ I've enrolled in as many film i\ W courses as possible to get /■* See Film on Page 6A. ' t CHAD MALLAM/The Battalion In the eye of the beholder Aggie Players perform Art, a play about how perceptions of art can represent one’s personality s in Brk g ordinal in City Countf osed smoL t the second lay at 6 p.n 1 inance mysifey Brooke Corso io council ^KfgBattalion /ed. The or * Texas A&M theater went post-modern with the Aggie j-to2voteat pj a y ers ’ performance of the award-winning play Hr/ in 13. The o® bL^gj- Forum last weekend and will do so again in fu- by the Colle« re performances this weekend, ncil but will IT p^g Aggie Players are a production wing of the theater Bryan passKM^ program in the Department of Performance Studies rdinance P c: a t a&M. The Players practice plays learned in the class- be banned ■ om as we i] as t h e j r own productions throughout the year. College S« “There are about four mainstage performances in Rud- :etween 6 3 j er Forum each year, directed by a professor or faculty oking will al - member,” said professor Michael Greenwald, director of thin 20 fe ei : ^r/. “There are also smaller productions in the Fallout t eatre, located in Blocker, that are directed by students.” Published by French playwright Yasmin Reza in 1994, yan council'^-/ took the international theater world by storm, even winning major theater awards such as the Moliere in Paris, the Olivier in London and the Tony in New York, or Lonnie ST Keith Neagle, a sophomore English major, plays i-Co//egeStaLSerge, a wealthy dermatologist eager to impress his art- lopes peopl f jsy friends by purchasing a painting for 200,000 francs, j voice thetf The painting, ca ii e d “The Antrios,” is faint white lines on ;eting today a white canvas, and Serge, despite his admiration of the members c painting, can’t really seem to understand it. , I lege Statio f issed exent I alleys and • rdinance will discusstl iture meeting ‘Serge is a sophisticated man, but he is insecure and wants the acceptance of friends, which is why he claims to be an * art connoisseur,” Neagle said. Michael Santos, a senior speech communication and theater arts major, plays Serge’s best friend, Marc, who despises the painting and scolds Serge for wasting his money. “My character, Marc, is egotis tical, opinionated, and very classi cal in his taste in art, so he finds this painting too new-age and friv olous,” Santos said. Randy Symank, a sophomore theater arts major, plays another friend, Yvan. Yvan is the moder ator and desperately tries to keep the friends together. Serge and Marc often gang up on him. “Yvan is an everyday guy that people can identify with, whereas the other two are more upper-class and sophisticated,” Symank said. courtesy of the aggie players The play centers around these three characters and leaves the meat of the play in the dialogue and chemistry among the roles. The set design echoes the minimalist theme with a coffee table, three chairs and a painting as props. As the characters “travel” to and from each others’ houses, the paint ings on the mantel change, each reflect ing the men’s personalities and back grounds. “Marc has a very classical taste, so he has a colorful landscape in his house; Serge has the white painting, and Yvan, who is working-class, has a painting done by his father,” Symank said. The Aggie Players have been practic ing their parts since the semester started, but have been studying for the play since December, when auditions were held. Greenwald gave the actors their parts to memorize during winter break and gave them topics in modern art to research. o/'S'foi f jfty/ttft/to/ty (3/ t c/ie'S'tf i a ieiife Editor gielife Editor s Editor ech Editor dio Producer , Co-Radio bmaster tUniveG riday < i (exceptl d at College SB ; University, l 11 ' 1 A&M UniveisT (fflces are in 1 ia il: ThebattaM endorsement 6 6. 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Now leasing for Fall ‘01 $200 deposit special! 764-8999 !/ Symank studied Dadaism and the works of Andy Warhol, and Neagle focused on minimalism and Pablo Picasso. “By researching the different realms of modem art, I was able to portray my character, who is supposedly an art connoisseur, more truthfully,” Neagle said. These actors have the training and experience to adapt to their characters well. Santos has been per forming in campus plays since Spring 2000 and acted in The Rimers of Eldritch, The Good Doctor and The Physicists. Symank appeared in Devour the Snow, The Rimers of Eldritch and Wasp. Neagle actedin The Bald Soprano, Andromache and the recent Shakespeare Pastiche. Neagle even acted in a student-directed per formance of Art in high school. He also played Serge. “I thought Serge would be a challenging role to take on because his personality is so different from mine and I would have to look at things through his eyes,” Neagle said. “But that’s what acting is all about.” In this two-act play, the white painting evokes the true colors of each friend as they hash out opinions and argu ments on art, women, friendship and life, creating some times bittersweet and often hilarious situations. Often two See Art on Page 6A. 2 & 4 bedrooms fully furnished rec room fitness center alarm systems washer & dryer swimming pool reserved parking individual leases private bedrooms fully equipped kitchen tennis, volleyball, & basketball courts computer lab, copier & fax available ♦ CO MM O N S ♦ APARTMENTS 950 COLGATE DRIVE