The Battalion. (College Station, Tex.) 1893-current, March 27, 2000, Image 4

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AGGIELIFE
Page 4
THE BATTALION
Monday, MarcL r
And the Oscar goes to
72nd annual awards show takes some risks, but still has undeserving wim wv*
Come and learn about
The Women’s Museum: An Institute for the Future
Cathy Bonner and Lillian Murray will share information
about the newest museum that is dedicated
\th
to the history of women in the 20 Century.
The museum is located in the Dallas FairPark area.
Monday, March 27, 2000
2:30 - 4:30 p.m.
206 MSC
For more information, contact Diane K. Carr at 845-4016.
To learn about The Women’s Museum: An Institute for the Future,
check the web site at:www.thewomensmuseum.org
0/
WM
,o
o
m
To learn more "about Women’s Week, check the web site
womensweek.tamu.edu
t ^ecause the 72nd Annual Acade-
my Award were produced by a
m M couple of honest-to-goodness
movie producers, there was talk of how
the Oscars might actually be over in a
reasonable amount of time this year.
Had these people ever heard how
many months a movie can be in pro
duction? Even small movies are in
production for several months.
So the Academy brings in people
who work in terms of months to pro
duce a show that is only supposed to
run for three hours. Smart, huh?
All talk of an early evening went
out the window when only one Oscar,
one for costume design or something,
was presented in the first 25 minutes.
Thankfully, most of the early min
utes were spent watching Billy Crys
tal do his ritual song-and-dance rou
tine, which is the most entertaining
part of the show, anyway.
They obviously hoped to keep the
Oscars short by limiting the time each
recipient had to thank everyone they
have ever known in their life, which
surprisingly, seemed to work. Not.
Don't these producers realize that
if they were to do away with all the
dedications to past movies and pro
grams, the awards would be over in
half the time, even if all those bloated
Hollywood egos were allowed to talk
as they wanted to at the podium?
Now everyone knows the Acade
my Awards have been know n to pick
movies w hile everyone else in the
world asks themselves, "How in the
heck did that win an award?”
This year's awards actually started
off promisingly as the first two main
awards presented, best supporting ac
tress and best supporting actor, went
to the actual two most-deserving
nominees, Angelina Jolie for Girl, In
terrupted and Michael Caine for The
Cider House Rules, respectively.
Good job by the Academy, but what
about the 11-year-old wonder Haley
Joel Osment from The Sixth Sensei
Well, if this role was any indication,
this kid w ill have many more nomina
tions to come, so do not despair.
The Academy went w ith the "hip and
cool” route for technical awards, totally
shunning Star Wars: Episode I Phantom
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F THERE Wfi
■Q THE ALLi
CAMPA
Menace (Yeah!) and giving the awards
for visual effects, film editing, sound and
sound editing to The Matrix (oh, yeah).
The awards for best original
screenplay and best adapted screen
play went to American Beaut}' and The
Cider House Rules, respectively,
which makes a lot of sense consider
ing these movies led the way with
eight nominations and seven nomina
tions, respectively.
It was fitting that Hilary Swank
won for best actress for her brilliant
performance as a girl pretending to be
a guy in Boys Don't Cry. The Acade
my must be celebrated for taking such
a big risk by giving her this award.
It was obvious that the ABC cam
era operators were really rooting for
Kevin Spacey for best actor since he
was given more camera time than Bil
ly Crystal. Could Spacey have possi-
JEFF SMITH/Tm BaTTaijon
ble looked any more smug, though?
Not quite surprisingly, Spacey won
despite my cursings at the TV.
What the heck were those people
thinking though to give the Oscar for
best actor to Kevin Spacey?
The guy is a good actor, but he has
given the same deadpan performance
in every role of his career. Having met
the "esteemed" actor, it just does not
seem like he really did that great of a
job of acting in this movie. In fact, he
gave the same performance in Ameri
can Beauty as he did in Rocket Gibral-
ter — minus the flat-top hairdo.
Ifone hasn’t heard of that movie, go
rent it and watch the now-superstar
Spacey struggle in a "blah" role. The
Academy could have picked nearly any of
the oilier aetors nominated and not gone
wrong, but this decision was nothing short
of a disgrace to the other nominees.
It was as disgraceful as giving!
statue for best director to Sam Max
for American Beauty. I am not®!
that this movie is bad — it isagrea
extremely inventive movie.
The problem is that thescnpi
Alan Ball, which won exactly*
deserved, and the rest ofthepeopi
involved in the movie are what it
this movie great.
Sam Mendes said it himselfit
interview that without Conrad Hi
his cinematographer and his edits
the movie would have beennothipW YES SiP.,
The Academy gave the award fa
rector to a man who had no film exp!
ence. It is obv ious that he reliedka
on his underlings to tell the story for
Of course, the film went onto
best picture as well. 1 agree
choice. 1 think this film eamedte
picture and best original screenpt
and best cinematography. These
awards are all richly deserved.
I low ever, the actor and directa
did not deserve to win the.award!
w hen compared to the other tab
represented in their categories.te
because Mendes manages to tell I®
actors w here to-stand does not
him a great director.
The only explanation one caa
for these lapses in the voters better
judgment is that American
momentum, evident by itv
live of the eight awards it wstt®
nated for. That, however, isnoex-
[onday, March
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cuse, particularly after theydisplaye
such courage in giving the bestac-
tress award to Swank.
All in all, the show this year w
decent, albeit long.
When will the Academy reafe
that many people in Americawoii
be so much happier if the shown!
somewhere close to its allottedti
instead of more than an hour over
The next time the Academy tries j
pretend it will end on time, people
should take that with about the sarw
amount of belief they had wh
Clinton uttered the words, “I did not
have sexual relations with that woi
Yeah, riuht.
254
Final stAi
Kraft M*
$Ait> He v
Matt McCormick is a junior
agricultural development ma\
The Battalion
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THE UNIVERSITY OF TEXAS AT ARLINGTON
(817) 272-MAVS www.uta.edu
admissions@uta.e: think about se:
Keith: That
WILEY
LECTURE
SERIES
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tally they wen
id hey why c
dog has his day
M emorial Student Center
The Waking Dragon
Perspectives on U.S. China Trade Relations
March 31, 2000
8:00 p.m.
Rudder Auditorium
Q: Who car
Keith: It’s v
lations of the n
really needed ;
acoustic duo, i
down and said,
am short and
that stuff. We n
us through the
tow and the co
Ed: There is
mean whatever
$7 for students, $10 general admission
wiley.tamu.edu
4
This program is presented for educational purposes only and does not represent an endorsement of
perspective. The views and opinions presented in this program do not necessarily represent the views ami
Careers in Government/ Non-Profit
Agencies: A Panel Discussion
Interested in a career in the public sector?
Don’t know how to start looking? Don’t know
where to start looking? Come to this seminar and
get advice from the experts!
March 28 - 5:30 - 7:30pm - Rudder 410
Panelists include:
Ms. Evelyn Smith, Director of Human Resources, United Way of the Texas Gulf Coast
Mr. Jeff KerSten, Budget Manager, City of College Station
Mr. Morris Winn, Director of Human Resources, Office of the Comptroller, State ofTN
Ms. Eleanor Savage-Gildersleeve, Diplomat in Residence, LBJ School of Public Affairs
Q: Whose ii
Q: So what
Keith and E
Keith: Mon
next single and
We're on or a I
bow we will t
Career Center 209 Koldus 845-5139 http://careercenter.tamu^
ARE
Mm
SSR:
leasinc
sumn
410 S