Battalion Aggielife Page 3A • Thursday, January 28, 1999 teaching Euphoria iale studentst I scessary. e information mal Student a general T. Call Regina Garza brings tour promoting new album ^sophy Di luium by h Carolina Sa /thologizingi Bolton. Cal i informatiori 'Sophy Depai luium by Prole: h Carolina St; tnimal Rights miocker. Ca 1 . ; informat PHOTO COURTESY OF ATLANTIC RECORDS BY MICHELLE MCNEELY The Battalion T he place to be this Friday night is The Theater when Austin native, Dah-veed Garza, makes his long awaited return to Bryan-College Station. Touring on behalf of his critically acclaimed album. This Euphoria, Garza will have Ag- gieland spinning like a discoball world. Rami Cerone, owner of The Theater, said Garza knows how to work a crowd. “The crowd totally gets into the show,” he said. “The moment Dah-veed steps on stage, the crowd piles up front just to see him.” He expects the show to sell out considering that he has already sold over half the tickets for Friday’s performance. In an interview with Tom Lanham of Live magazine, Garza said that in the music busi ness, being a few cards short of a deck can sometimes be a good thing. “Crazy people are the only people with orig inality anymore,” Garza said. “It’s true — they’re the only people who don’t know any better to be drones. All the accidents are what’s fun.” Accident or not, Garza’s alternative mix has people talking. Born and raised in Irving, the musician packed up his belongings at the age of 18 and headed to Austin to follow in the footsteps of rock ‘n’ roll legend Stevie Ray Vaughan. He enrolled at the University of Texas, but dropped out later to spend time on his music. After playing for small change at Austin’s West Mall, Garza’s band. Twang Twang Schock-A-Boom, landed gigs at well known venues including Liberty Lunch. Soon Garza’s band began to gather a small yet loyal fan base across south Texas. Garza has not looked back since. He start ed his own label. Wide Open Records, and in dependently released five albums, as well as a number of limited-edition, tape only record ings. He spent the following years touring around Texas selling his self-produced CDs. Garza received his big break at Austin’s an nual music conference, South by Southwest, and later signed a deal with Lava Records, a di vision of Atlantic. While in the process of recording his latest album, Garza released The 4-Track Manifesto, a highly praised self-produced album on his own label. Last spring Garza released This Eu phoria, taking his first time at bat in the big leagues. From the somber lullaby of “I Know” to the rump-shaking “Discoball World,” Garza’s songs reflect a certain diversity not manufac tured anywhere else. It is easy to see where such diversity comes from. The musicians’ influences range from traditional Mexican music to classic rock. Garza’s psychedelic rock combines mel lifluous rhythms with energizing guitar riffs, and his soft ballads sound much like Duncan Sheik. Garza’s flirtatious lyrics are infectious, a phenomenon which can be attested by his re cent single “Slave,” which has received a good amount of radio airplay. Garza is a show man leaving behind mem orable performances everywhere he goes. Shelly Panzarella, a senior business analy sis major, said Dah-veed creates an enjoyable sing-along atmosphere. “He puts on a good show for such a small price,” she said. “1 see Dah-veed becoming a big name [in the music industry], and I can say I saw him when. ” Jeremy Ridge, a junior business major, said he likes Garza because the musician is very down-to-earth. “Dah-veed’s shows are fan-orientated,” Ridge said. “Dah-veed’s a funny man, some times he’ll even invite girls on stage to dance with him.” In an interview with Jianne Jones of Texas Monthly, Garza said he notices a big difference in his audiences since the release of This Eu phoria. “The difference is like night and day,” he said. “Already there is a different kind of buzz going on. Plug in, turn up and play some rock ‘n’ roll that’s what makes all this riding in a van and eating Taco Bell worthwhile.” Thursday, January 28 • 9 pm - Clandestine, a folk band, is playing at the Crooked Path. • 9 pm - Rock bands Linus and Peeping Tom are playing at Legends. • 9:30 pm - Ruthie Foster, a blues act, and Super Band Waste Band are playing at Fitzwilly’s. • 9 pm - Owen Temple, a country performer, is playing at Shadow Canyon Friday, January 29 • 9 pm - Citizen Lane, a rock/jazz band, is playing at the Crooked Path. • 9 pm - Blues acts Omar and the Howlers and Seth Walker are playing at Legends. • 9 pm - Twisted Faith is playing at the Cow Hop. Saturday, January 30 • 10 pm - Mother’s Monkey is playing at Sweet Eugene’s. • 8 pm - MSC OPAS presents “Tango Buenos Aries” at Rudder Theater • 7 pm - The Blue Note All Stars are playing at Legends. 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