iday • Aprilhursday • April 2, 1998 * The Battalion ' 4 j if lii ll *"* ■ 1 I 1C I 3 I Ei ki I ■ Ei 3 age 1 have a much higher^ Thompson said." )-ed residence hall; lence hall, atleastSCil ort an extensionohj two additional b|| mieeting. I, the vice presidem lechanical enginei nerge HilA and Stall directors, graduates I visors, supports the forni;] er the possiblemerp it of money next yeti :ss to more money hi; hat RHA has," Haag la committee to era t. If it is not feasible: e will not followth: constitutional arrJ r number of themti Ito four memberscti •PAS brings Elvis sounds A&M students at Rudder By April Towery Staff ivriter llvis himself might have been in Rudder Au- ■orium Tuesday, March 31. opening night of p OPAS production “Blue Suede Shoes.” This isn’t men in tights. It isn’t “Swan Lake.” ht performances of the Cleveland San Jose llet’s “Blue Suede Shoes” are being held rough April 5 at Rudder Auditorium, and thus the show has kept audiences rocking. The performance opens to a psychedelic Jitar and original Elvis music. The audience i in almost constant applause throughout opening performance. And there’s even a little humor in the show, ontains six acts, “High School,” “Hot Dog ection §|! ive-In," “In the Army,” “Highways and Lone- ’t^^n if hearts,’’ “Saturday Night” and “Jailhouse.” t is beautifully crafted. The brightly-col- ■cd costumes are a sight to behold. ■ Set and costume designer Bob Mackie joins di ection and choreography by Dennis Nahat ■ the production. Mackie has received three At ademy Award nominations, 10 Emmy nom- jations and six Emmy Awards. He designed velry and clothing for celebrities, such as ler, Madonna, RuPaul and Diana Ross. Backstage after a performance of “Blue jede Shoes" in Los Angeles, Calif., in July, mbers of the media w'ere shown the sets costumes up close. One of the impressive alpects of the costume design was one partic- ■ar flared polka-dot skirt. Mackie reportedly liked the skirt but was displeased with the col- ui rector ulture major, spot gg.-p is difficult to rear* of the Judicial Bo ) vote on any legi mbly lacked a quo Residence Ufeann iat tentativeplanstti Hall and add woi ented during thefali or of the Depanmeo| rartment continues! r's Guide should ie 8. of or som he polka dots. Upon looking closely at the skirt, it was cy linder SouthsiO:|dent that every dot of a certain color had been *wn over with a dot of another shade. Each costume may not have been designed so ■eticulously, but this is an example of the de- ■il that went into each aspect of design. I “It’s the latest one I've outdone myself on,” ■ackie said of “Blue Suede Shoes.” “I intend to keep outdoing myself.” Throughout many ballets, some audience ■Hus 'tHsmm HHUi im nr Ramon Thielen, Raymond Rodriguez and Matthew Gasper dance to “Guitar Man” in the Blue Suede Shoes “High School” scene, mission — not this one. Nahat, the co-founder of the School of Cleve land Ballet, has choreographed more than 90 original works. His work in “Blue Suede Shoes” is unsurpassed. Recently, it was taped for PBS television and aired nationwide this month. Produced by David Oakland, president of a division of Cleveland Ballet, the show targets audience members of all ages and back grounds. “The sound bite for the college kids is that we’re taking something boring and shaking it up,” Oakland said at a press conference in July. What makes this ballet unique is that it is something like Footloose meets “The Nutcracker.” The music is all Elvis originals but includes a few tunes college students may have not heard before. But of course, the production in cludes the classic Elvis songs “(Let Me Be Your) Teddy Bear,” “Love Me Tender,” "Heartbreak Hotel” and “Jailhouse Rock.” The grand finale of the production is a show in itself, including the instrumental tunes “Hound Dog,” “Shake Rattle and Roll” and “Blue Suede Shoes.” Before “Blue Suede Shoes” is the 20-minute “Quicksilver” ballet, set to the music of Felix Mendelssohn, This production is also chore ographed by Nahat and performed by the Cleveland Ballet. L YOUR _ATI ON 3P 3UR TOP The same for a mi# use your head W ■n-Iine profitabilitf -Car has entry-Jevd om to make critical in every aspect ol o customer servict lers a competitive sferred. rise. 3:30pm -1 MSG Literary Arts hosts week of Shakespeare By Stephen Wells Staff writer M ost Texas A&M students remember Shake speare as the guy who wrote the plays they had to read aloud in a monotone voice in high school English, pitying the one person in class who overacted their part and could not pronounce the word “arts’d.” Now, the MSC Literary Arts committee is pre senting its first Shakespeare Festival and breathing new life into Victorian drama by presenting it the way it was meant to be presented. The Shakespeare Festival is a collection of lectures, stage readings and behind-the-scenes information about the works of Shakespeare. The festival will end on Saturday, April 4. Peggy Philpot, the staff advisor for the MSC Liter ary Arts committee, said the Shakespeare Festival is a good idea that came to fruition through a great deal of hard work. “We started out with just ideas,” Philpot said. “Since we are a literary arts committee, it fit into our mission to hold a Shakespeare festival. Since we obviously couldn’t do the whole thing ourselves—we provide lec tures, not performances — we approached the Aggie Players and some other groups, and they just filled in the blanks from there.” Even with the help of the community, student groups and guest lecturers, this week’s activities took a long time to plan. “It’s been in the process for a while,” Philpot said. “This is an idea we’ve had for two years, and last year we just decided we’d try it. We’ve been planning it since then.” Unlike most Shakespeare events, the MSC Literary Arts festival is not just a showing of his work. Events range from readings of Shakespeare’s work to parodies of his plays to lectures on the theory that Shakespeare is given credit for work he did not do. Please see Shakespeare on Page 5. Chilifest '98 cooks ffpril 4 By Len Callaway Staff writer E ach year sororities and fra ternities sponsor many spe cial events to help support national and local charities. This weekend the Texas A&M Chapter of Sigma Alpha Epsilon will host their 8th annual Chilifest at the Starlight Ballroom in Snook. The all-day concert and “beer for all” (all those over 21, anyway) will benefit the Still Creek Boys Ranch, which helps provide a pos itive outlook and example in the lives of young men that lack a sense of family or responsibility. The ranch has its own school and provides each child with an an imal to raise and care for in hopes of providing a deeper sense of re sponsibility. As a matter of fact, the students take the animals to live stock shows and the ranch has re ceived so much recognition for its efforts, that it has recently added a girls’ facility to its list of positive and beneficial amenities aimed at helping disadvantaged youth. That is where SAE and Chilifest become involved. Last month 1 was invited to speak with SAE philanthropy co chairs Cody Durham and Gabe Stansberry. I was asked to meet them for a longer interview at a quaint little place in Snook called “the Watering Hole.” As I pulled up I noticed the sign over the door that read “Cold Beer, Free Advice.” The best ad vice I got all night was “take a good look at Chilifest, it’s different, it’s special, these guys are doing something unique.” SAE Chilifest at A&M started eight years ago in the Wal-Mart parking lot, then took a big leap to the Albertson’s parking lot. Eventu ally it made it to Snook and has been there for the past several years. Please see Chili on Page 5. *:&*■> ^ BSM88BS8 „ „ S jA-' The Texas A&M University Student Publications Board is accepting applications for IPS M9m M . ’ The Battalion The Battalion - Including radio and online editions - Summer 1998 (The summer editor will serve from May 25 through Aug. 7, 1998.) - Including radio and online editions - Fall 1998 (The fall editor will serve from Aug. 17 through Dec. 11,1998.) Qualifications for editor-in-chief of The Battalion are: Be a Texas A&M student with at least a 2.0 overall and major GPR at the time of appointment and during the term of office; Have at least one year experience in a responsible editorial position on The Battalion or comparable student newspaper, OR Have at least one year editorial experience on a commercial newspaper, OR Have completed at least 1 2 hours journalism, including JOUR 203 and 303 (Media Writing I and II), JOUR 301 (Mass Comm Law) and JOUR 304 (Editing for the Mass Media), or equivalent. ■ Aggieland .com nterpris rent-a =_ TicK&fytAsrefi {409) 26S-0414 www.ticketmaster.com FOLEY'S AT POST OAK MALL, TEXAS A&M MSC BOX OFFICE & RUDDER TOWER * ALL TICKETS SUBJECT TO AGENCY CONVENIENCE AND HANDUNG CHARGE. DATE AND VENUE SUBJECT TO CHANGE WITHOUT NOTICE. 1999 Qualifications for editor-in-chief of the Aggieland yearbook are: Be a Texas A&M student with at least a 2.0 overall and major GPR at the time of appointment and during the term of office. Have at least one year experience in a responsible position on the Aggieland or comparable college yearbook. Have demonstrated ability in writing through university coursework or equivalent experience. Have completed or be registered in JOUR 210 (Graphics) or equivalent. Application forms should be picked up and returned to Francia Cagle in the Student Publi cations Manager's office, room 012 Reed McDonald Building. Deadline for submitting application: 9 a.m. Tuesday, April 7, 1998. Applicants will be interviewed during the Stu dent Publications Board Meeting beginning at 5:30 p.m. Wednesday, April 8, 1998, in room 221 F Reed McDonald Building. Texas ASM is an equal opportunity/affirmative action employer. The Student Publications Program is committed to diversity.