The Battalion. (College Station, Tex.) 1893-current, October 07, 1997, Image 4

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    The Veritas Forum
at
Texas A&M
For Information,
see page 6
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E The Battalion
NTERTAINMENT
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WHEN: Wednesday, October 8 — 6:00 PM
WHERE:
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Class ‘99 — Rudder 407
Class ‘00 — Rudder 410
Class ‘01 — Rudder 402
Pink House Restaurant
Romantic Candlelite Dining
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Reservations - 364-2868
Now Taking Holiday Reservations
Everclear release breathe E
a little life into grunge musi
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Mpsi4
Review
So Much for the Afterglow
Everclear
Capitol Records
★ ★★ (out of five)
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Staff writer
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'hear you gave the world a
brand new voice,” Art Alex-
.akis sings on Everclear’s sec
ond major-label effort, So Much for
the Afterglow, “Such a happy melody
with a new wave whine / Yeah, I see
you hide behind your own noise.”
Intentionally or not, he sets him
self up big time. Alexakis’ self-depre
cating, brutal lyrics are one of the
many risks the erstwhile indie-
grunge band takes on its new album.
More or less, the risks pay off. The
album opens with an a cappella vo
cal harmony that bears more than a
passing resemblance to a Beach
Boys tune. Gimmicks like that might
make the listener wonder, but they
are at least interesting enough to
suggest that Everclear is defying the
musical stasis that seems to be
haunting like-minded Pacific North
west bands.
The most striking difference be
tween So Much for the Afterglow and
its predecessor, Sparkle and Fade, is
the disappearance of the grinding
feedback that helped define die
grunge scene of the early ’90s. In its
place are jangly, staccato guitars, in
tegrating the Minneapolis, Minn.,
and Athens, Ga., sounds of the ’80s.
Alexakis even breaks out the banjo
and mandolin on songs like “Why I
Don’t Believe in God,” an interesting,
if ill-advised, instrumental choice.
Everclear still knows how to write
a melody and hook, even if it is not
always strikingly original. There is
nothing in the first single, “Every
thing to Everyone,” that will distin
guish it from any other gnitar-orient-
ed alternative outfit, proof that even
the most adventuresome of bands
will only take so many chances.
Alexakis’ lyrics have never been
braver. At times, his emotional can
didness reminds the listener of that
strange guy at the bar who insists on
telling everyone about his divorce.
But in an age of obtuse, intentionally
vague songwriting, his honesty can
be a breath of fresh air.
In “Normal Like You,” the album’s
higlilight, Alexakis sings, “You
wouldn’t even know me / Since you
went away/ The Prozac doesn’t do it
for me anymore.”
The singer has been open:
his battles with clinical depress!
and heroin addiction, and the)
a stark account of youthful entj
and alienation.
Perhaps most interesting,!
is the album’s closing track,"
California King,” a songAlexal
claims ire wrote about himsdi
“What makes you thinkyouarsy
ter?” he growls at the song’senc
“What makes you thinkyouati
complete? / What makes you tr|
you are the only one immune:
falling down?”
It is this vulnerability that iL
Alexakis and Everclear occasicm
fascinating to listen to.
Can indie-rock survive the:
ly-defined media circus thatk
grunge? That is the $64,000que
At the very least, Everclearha>:
guts to ask it.
Til
Bo
Co
Everclear
$8 advance @ Marooned, Rother’s, Cavender’s
Stone, star cast turn out classic fil
&Uppman Music $8 door/Rock
Bs
Dylan s]
dubious
But it
hard-co
stock, w
straight
Harding
and sho
to Chris
which w
Pop c
FRIDAY 10/10
CUV C vtcTliuCJ
q xJUft
RAY WYLIE
HUBBARD
.eview
$8 advance @ Marooned, Rother’s, Cavender’s
& Uppman Music $8door/CW
U-Turn
Starring Sean Penn, Nick
Nolle and Jennifer Lopez
Directed by Oliver Stone
Rated R
Playing at Hollywood 16
★★★ 1/2 (out of five)
SATURDAY 10/11
By Chris Ferrell
Sports editor
with
The Suspects
Ska • No Cover
~M~ jCTurn is the expect-
f Bed Oliver Stone
\^/ film. From the un
usual plot to the camera
angles to the editing, the
movie is similar to some of
his other works including
Natural Born Killers and
The Doors.
The movie, which was
shot over 42 days in the Ari
zona desert, was made on
a shoe string $20 million
budget. Because of Stone’s
statur e, be was able to put
together an all-star cast.
Sean Penn leads the
cast in tire starring role of
Bobby Cooper, a down-
on-his-luck former tennis
player who owes money to
Russian gangsters. While
driving to Las Vegas to pay
them, he experiences car
trouble and gets stranded
in the small town of Supe
rior, Adz.
Cooper takes his car
to the town’s only me
chanic, Darrell (Billy
Bob Thornton of Sling
Blade fame). Thornton
turns in an outstanding
performance as the
small-town mechanic.
He soon leams that he
will be in town much
longer than he anticipates
because of the resources
available in Superior.
While roaming through
town he meets up with
Grace McKenna (Jennifer
Lopez). After returning
home with her, he is
caught by her husband
Jake (Nick Nolle).
The two each proposi
tion him to become in
volved in murder-for-
hire schemes to kill the
other spouse.
Other big-name stars to
work for peanuts to);
an Oliver Stone filmtl
elude Powers Boofcir
town’s sheriff, JonVc*
a Native American ®
nam veteran phitefl
continu
came ar
pie relic
Time
who can see them?!
the world despitedni
that he is blind
Stone a I so im/feW
tlie bright aad-ttipW?
like colors to\mous
points throughout^
movie in a similatfas!
to the workhedidit
urnl Born Killers.
He also usestim?
photography to spft
the clouds over the:
tains in the Arizona:
Stone’s signat®
over this film, andb
will not be disappo:
y —m?
L>N
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