The Battalion. (College Station, Tex.) 1893-current, September 08, 1997, Image 2
"W" The Battalion Lifestyles M v4 <1 r t k D r m Stark Galleries displays Central and South American cultural paintings By Marium Mohiuddin Staff writer T he weather is hot and the people are lively, happy and beautifully dressed. The music is playing, and the crowds are cheering. For those standing outside in the Texas heat, imaging die heat of the scene may not be too difficult. However, imagining taking part in a Central or South American wedding or everyday life may not be as easy. A new exhibition has been brought to Texas A&M which can allow the viewer to enter, taste and feel a whole new world. Starting Sept. 4 through Oct. 19, “Imag ining the World Through Naive Painting,” an Ibero-American exhibition will make its premiere at A&M in the J. Wayne Stark Uni versity Center Galleries in the MSC. A&M is the first stop for the exhibit’s nationwide tour, which will continue through 1999. The tour will include stops in Florida, Nebras ka, at Duke University and at William and Mary University. The exhibition originated in Washington and was brought to A&M because the ex hibitors wanted to premiere the tour in a university environment. The collection in cludes pieces from 17 countries in the Caribbean and Central and South Ameri can countries. Naive artists are self-taught artists. They can be found all over the world. Most of their artwork is two-dimension al. This adds to the simplicity and unique ness of the exhibition. All artists start out as Naive artists, but through life, an artist per fects his or her technique. Naive artists con tinue to paint in the simple style, rather than a chronological style. They use bright and vivid colors. Dr. Henry Schmidt, a Latin American history professor, said Naive painting first began in Latin America during the colo nial period. As time passed, many new art forms were presented in Latin America, and Naive painting became part of the tra ditions. However, people still displayed them in houses. “Naive artwork is a marvelous depiction of street life,” Schmidt said. “The elite artists of Latin America saw the popular painting at family homes, and were inspired by the popular tradition and began to paint in the Naive style. “Naive painting is a cultural identity of modern Latin America. Latin Americans look at tradition with great respect.” Through the years, Naive painting has become very popular. In the international community it has recently gained the recognition of a serious art form. The work is accessible. One look unlocks the paintings’ ideas and meanings, and al lows the viewer to step into another world. The artists paint about everyday life and cul ture — weddings, street scenes, memories. Ramon Cano Manilla, a Mexican artist, has nine works displayed at the galleries. They were painted late in his life and depict childhood memories. Catherine Hastedt, curator of Stark Galleries, said many of the artists did not start painting until late in their lives. How ever, she said this does not take away from their talent. “Many of them are premiere artists in their country and have national recogni tion,” she said. Haiti led the Naive artists into the 20th century. “One of the more popular artists, Wilson Bigaud, was a child prodigy of Naive paint ing and is called the Rafael of Haiti,” Hast edt said. Bigaud began painting when he was 14 years old for churches and anybody who gave him a job. In a country that is 90 per cent Christian and 10 percent Voodoo, painting churches was not favored. A Haitian lady told him to stop paint ing churches or she would curse him. He refused to stop, then began having a se ries of nervous breakdowns before his disappearance. His last known work was discovered in the 1970s, and it is believed that he died. This painting, along with other Naive artwork, is a part of the “Imagining the World Throi$ Naive Painting” exhibit now on display at the J. Wayne Stark University Center Galleries. Three of his pieces are displayed in the gal leries. Looking at the pieces, a difference of the decline of his style and artistry can be detected as the years progressed. Lisa Davis, a resident of Bryan-College Station, and a renter to A&M students, said the paintings bring one closer to the culture and the people. Davis said she came to the galleries as an assignment from her floral design class. She said she could spend a lot of time and thought looking at the paintings. “It is a cultural celebration,” she! "The ideas are still vivid and alive, andtl colors are bright. The art looks child and simple.” The J. Wayne Stark Galleries are i Monday tlirough Friday from 9 a.m. to8p and from 12 p.m. to 6 p.m. on weekends. Tours are available for groups of fiveij more. The exhibition will be in the galleri until mid-October. HOWDY, AGS! How would you like to be a part of an organization that invites nationally and internationally known leaders to Texas A&M University? MSC WILEY LECTURE SERIES offers you that opportunity and is now accepting applications. Pick up applications in the Student Programs Office, 2 Floor MSC, Room 216 or at Informational Meeting Monday, 7pm 228 MSC Applications are due Monday, Sept. 15 by 5:00 pm Interviews will be Sept. 17, 18, 19 Any Questions? Call i c: i a MSC Barber Shop Serving All Aggies! Cuts and Styles All Corp Cuts $7. Regular cuts start at J 846-0629 Open: Mon. - Fri. 8-5 y-.t e din,h«b..emen. of the Memorial Student Ce enter ATTENTION: SPRING 1998 Student Teachers except HLTH & KINE and AGED WHAT: Pre-Student Teaching informational Meeting WHEN: Tuesday, September 23, 1997 TIME: WHERE: 7:00 p.m. Rudder Tower Room 601 This meeting is MANDATORY! 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