October 4 The Battalion IELIF Page 3 Friday • October 4, 1996 )n also signed a r :laring October as| tic Violence Awa and other bills that e al FBI database tot •s who have been ft son, authorize! rams to treat use and help famifei nent officers killed inti ifter May 1,1992,toa college for their diitta :er Registrati Deadlines 4 — Deadline for in person to vote :ations: BrazosCs C fice, libraries and a ation drives on cars 7 — Postmark deal ter registration aoti ' mail 16 to Nov, 1-1 irly voting ations: Brazos Co.d i, Arena Hail on Tata yan, Galilee h on North lop , MSC, College Sta 1812 Welsh inM General 1 Highs & Low Today’s Expeciet Tonight's E\| 70°f Tomorrovi Expected Hi 85°F Tomorrows Expected Li 70°F mation courtesyotlM hods i shots, foam, oms) ounselmg id counseling of urinary ms, linic provides a C every two weeks, om the communit) 5-1576 ION ora Rasmussen, Cl# Day, Sports Editor •her Pace, Opinion Erf is Yung, Web Em . Hickman, Radio Edi® Moog, Photo Editor j Graeber, Cartoon EF' uck, Christie Humphries,Ca* 11 ker imber Huff, John LeBas.W ellor ising, Jeremy Furtick,Colbf6 i: r, David Boldt, Bryan Gooi!»' 1 vard, Mason Jackson,Sean^ llor & Angie Rodgers tchel Redington Depot, Ed Goodwin, ■ sity in the Division of StinWj d Building. Newsroom phone" /eb.tamu.edu. by The Battalion. Forcampjs ^ ■ 69. Advertising offices are in®' 267S. :opick up a single copy ofRy; year. To charge by Visa.Vast^' the fall and spring semesW 1 yiyusic Les Claypool and the Holy Mackerel Highball with the j Devil Interscope Records Ever have a craving for { pizza so intense it hurts? So you run to your fa vorite pizza parlor and or- !| der a hot, greasy pie with the works. You stuff a slice into your mouth and realize ... I as good as pizza may be, it’s still just pizza. Les Claypool’s debut solo album, Highball with l the Devil, is like pizza — it’s yummy, but tastes similar i to all the rest of the pizza you’ve ever eaten. Highball with the Devil ! offers no surprises. The venerable bassist and j singer for San Francisco’s | “audio acid” legend Primus | sticks with a predictable I 15-track serving of odd i musical narratives, leaving | behind his history of musi- | cal innovation. Primus fans have heard I this stuff before. Claypool | doesn’t push any bound- j aries here. This doesn’t mean \ Highball with the Devil is [not good — it’s just not : very interesting. The album sounds homemade, and a lot of the songs are probably live | recordings. This low-budget I effort suits Claypool’s bass grind, and the result is a I cool peek into garage band practice. Unfortunately, the I “low-fi” also muddles the bass — the backbone of ! Claypool’s music. Claypool recruits fellow Bay-area musicians Jay | Lane and Charlie Hunter I for the live tracks. The i Charlie Hunter Quartet drummer and guitarist lend a refreshing, jazzy facet to the eccentric bass fid dlings on “Me and Chuck.” Most of the other songs could easily fit a Primus set. “Running the Gaunt let” features Claypool’s trademark hick-a-billy mu sic laid over his eerie whin ing, the approach used with commercial success in Primus’ “My Name is Mud” and “Wynona’s Big Brown Beaver.” The days of Primus’ “au dio acid,” that lovable world of rambunctious bass lines and off-key gui tar screeches, are gone. Claypool’s only new ap proach on the album makes the listener wince. On several tracks, he plays all the instruments. Now, Claypool is a terrific bass player and a decent gui tarist, but is not quite con vincing as a drummer. He doesn’t always seem to lock the instruments together on these tracks. It’s as if he can’t find his own groove. Claypool’s storytelling gifts haven’t suffered with his creative stagnation. His tales of the weird and ran dom perpetuate songs like “Cohibas Esplenditos:” “Saw Mr. Potato Man the other day / down at the wasteland / He’s a happy boy, full of vim and vigor / since the day he left his wife.” Whatever, Les. This ex pected nonsense is Clay- pool’s norm and not at all new. One serious matter may keep some from consider ing Highball with the Dev il, and make others rush out and buy it — a spo ken-word track featuring Henry Rollins. This waste of audio tape seems to be a cheap excuse to get Rollins on the album. Nice try, but Rollins is so damned irritating it doesn’t help much. But this is just one slice of Claypool’s pizza. Drop it on the floor, and the rest of the pizza is still edible. The toppings are familiar and the crust not half bad, but don’t expect a masterpiece. B- - John LeBas —ggl Sunny Days Ahead Former student Sunny Nash has taken the world by storm as an artist. Her new book describes her pre-Civil-Rights childhood in Bryan. By John LeBas The Battalion W hen Sunny Nash was a girl growing up in Bryan in the ’50s, Texas A&M seemed like an other world to her. The school was all-male, all-military and all-white. Everybody looked the same, Nash said. And, at the time, African-Americans could not attend A&M. Yet in 1977, Nash received a journalism degree from A&M. She was the “second or third” African-American woman to graduate from the University. Nash said she wasn’t aware of this at the time. “I didn’t know that until I did a speech for the Asso ciation of Former Students years later,” she said. Nash says she did not notice because she was not concerned with being a minority here. Overlooking her minority status as a woman and African-American, she said she worked through her college career with one goal — to get a degree. Nash, who is a photographer and freelance writer living in California, is reading passages from her new book, Bigmama Didn’t Shop at Woolworth’s, at Friends Congregational Church in College Station on Sunday at 7 p.m. The book is the journalist’s latest writing effort, chronicling her childhood experiences in the Candy Hill neighborhood of Bryan. In a world of Jim Crow.laws and rampant discrimi nation, the future looked bleak for a young black girl. Nash, who was born in 1949, writes of the daily obsta cles she and her family had to overcome in the pre-Civ- il-Rights-Movement era. From Singer to Aggie Nash’s road to A&M began following gigs as a musi cian. Nash, who said she had always wanted to be a writer, began singing commercial jingles immediately following graduation from Kemp High School in Bryan. This led to jobs with musical luminaries such as her cousin, Johnny Nash, and Jackie Wilson. For a while, Nash toured with singing groups and lived and worked in New York and Chicago. Nash said by the early 1970s, the traveling lifestyle of a performer had begun to wear thin. She had a daugh ter and didn’t want to raise her on the road. “I decided I needed to settle down and go to school,” Nash said. Nash returned to Bryan to live with her parents. She said A&M seemed an obvious choice for school ing. Recently demilitarized and integrated, the Univer sity was cheap and close to home. “I think that then it cost $4 a semester hour,” she said. Time has stoked the growth of A&M’s fees, and its diversity. But when Nash attended, A&M was mostly white and male. “I would sometimes go for weeks without seeing other African-Americans,” she said. “I could also go for several days without seeing another woman.” Nash said her race was not an issue, though. “I didn’t experience overt racial prejudice at A&M,” she said. “I wasn’t looking for that kind of treatment — I was too busy. But I experienced isolation because I was a woman.” This isolation, Nash said, may have been further See Sunny, Page 4 MONDAY, October 7 Co-op Career Fair Zachry Engineering Center Lobby Monday, October 7 Tuesday, October 8 Different employers each day ABB Vetco Gray Advanced Micro Devices ARCO Chemical City of Missouri City/Engineering Cryovac Elk Corporation Energy Operations Halliburton Energy Services H.B. Zachry H.E.B. Hewlett Packard - Convex Division Hoechst Celanese Honeywell Lockheed Martin Space Information Lyondell-Citigo Motorola, AMG NASA - JSC National Instruments Praxair, Inc. RTEC Sperry-Sun Drilling Texas Instruments Transco UFE Incorporated Universal Computer Systems TUESDAY, Central Intelligence Agency Champion International City of Houston/ Public Works & Eng. 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