The Battalion. (College Station, Tex.) 1893-current, June 08, 1995, Image 3
The Battalion • Page 3 Thursday • June 8, 1995 Dole's duel with entertainment is misguided a ii n IMP H ftl wmm 3 stoi: Onyx "I'm a bald head with a 'ncdtijje / | want your ely hiioney or your life L ^ b p throw ya gunz in the r/And buck buck like b s ° h f e pu just don't care" i betw- )allte Jr r>rf» ;h Car? 1 * JmirrBitches ain't s- wert but hoes and ■ ch2 hcks" me t.. v ass of If your bitch is talkin' ^ I'll have to put the > the mack down" heart: ’ten h [Chinfe »^ Ice Cube ^1 ? Waco, I can stieake four ATF to their te a etic hau Knock you out like apF Jytiuil / I'll kill you ers0 iuick " .vay f 1 y rece:' ce 1 I blow the gat in his ass "because it's all good ight^np now the boys in L P3 ajue come after the —-aotherf—kin' East Bay ^j^angsta murder master" !Pac (Keep my s--t [ocked 'cause he cop's got a gloc too A/hat the f—k would you ;lo? Drop him or let him Jrop you? I chose Ircbppin' the cop" leath" ll be Ice T (Body Count) "I got my brain >nlhype / Tonight'll be va iof 'our night / I got this oqig-assed knife/ And ;our neck looks just igl it" ! inoop Doggy ^ogg ''It s a 187 Murder) on a motherfu— cop" peto Boys j®^e sight of blood ites me / Shoot you in | [he head / Sit down and Vatch you bleed to death / I hear the sounds >f your last breath" Gangsta rapper Spice 1 A rtists everywhere, run for the hills! The censors are coming! The censors are coming! Instead of finding them selves at the top of the movie and music charts, Oliver Stone, Quentin Tarantino, 2Pac and Snoop Doggy Dogg now find themselves at the top of Ameri ca’s most wanted list. At least in the mind of Sen. Bob Dole, that is. An ugly, nasty storm is brewing from the depths of Dole’s mouth with his recent attack on the entertainment industry. Shades of Tipper Gore’s Parents Music Resource Center and her crusade on explicit lyrics have resurfaced, this time in the form of a crabby, old Senate majority leader. Seems ol’ Dole isn’t too fond of hardcore rap and rock See related EDITORIAL, Page 7 music and violent movies. Duh. Dole said in a press conference “I’m talking about ... a culture business that makes money from ‘music’ extolling the pleasures of rap ing, torturing and mutilating women; from ‘songs’ about killing policemen and re jecting law.” How familiar is he with this music? Can you imagine Dole putting a Dr. Dre CD in his car stereo, rolling through D.C. and hearing “Bitches ain’t sh-t but hoes and tricks?” He would probably have to ask his advisers why women were being referred to as garden tools. Rap is an easy target for the cen sorship brigade. Disturbing tales of urban violence and drug use are a shock to the system. A rapper like 2Pac or Ice Cube isn’t concerned with lyrical morality. Rap- > ; ■ pers are painting a picture of the , . : :S : I harsh realities of life in the ghetto. . And it ain’t pretty. But how can it be? If Dole doesn’t like the classic N.W.A. album Straight Outta Compton, maybe he should head on over to Compton, Calif, and walk the streets for a while.I’d give him two minutes, tops. It’s doubtful that Dole has ever encountered such problems in his posh life in Washing ton D.C. Of course, some rappers just try to give more shock for the buck. Gangstas sell albums, and they know it. But the original gangstas — Ice T, Ice Cube, Dr. Dre and Snoop Dogg — are products of their environment. They rap about what they know. It may not be what people know in Kansas, or in College Sta tion. We don’t see drive-by shootings on Texas Avenue. We don’t see police brutality every day. But our world is a world away from South Central L.A. And what is that lurking behind Dole’s attack? Why, it’s cen sorship of course. The Bill of Rights states Congress cannot abridge the freedom of speech. Yet this debate continues. Albums with controversial lyrics already have parental warning stickers slapped on them. Stores won’t allow a 6-year-old child to buy a 2 Live Crew album. Some of the shocking violence in rap is disturbing and dis gusting. When dollars start coming through the door, responsi bility is often thrown out. But they still have the right to say what they feel, whether Dole likes it or not. And haven’t we been through all this before? Two recent cas es of attempted crackdowns on rap come to mind. • In 1990, a Miami court declared 2 Live Crew’s As Nasty As They Wanna Be album to be obscene. Anyone selling the album or performing its songs was subject to arrest. Members of 2 Live Crew were arrested after a performance at an adults-only club. A record store owner was arrested for continuing to sell the album. The members of 2 Live Crew were acquit ted and the record store owner re ceived a fine. • In 1992, rapper Ice T sparked a national storm of controversy with his hardcore -metal band Body Count and the song “Cop Killer.” Further criticisms came from George Bush and Dan Quayle. Ice T and Time Warner even tually pulled the i song from Body Count’s album after months of media pressure. On the film side. Dole lashed out at movies like True Romance and Natural Born Killers, both written by Quentin Tarantino. Somehow, I don’t think Quentin is shaking in fear. No doubt those movies, plus Pulp Fiction, are violent, but it’s funny how other gore fests escaped Dole’s wrath. I guess killing someone in a Terminator fantasy movie is fine, but in a clever Pulp Fiction, it’s “mainstream deviancy.” In Dole’s perfect world, we’d all be watching Free Willy in stead of Reservoir Dogs. The bottom line is there is an enormous generation gap be tween Dole and, say, college students. Most young people hailed Pulp Fiction as an extraordinary movie, and it’s difficult to see a politician doing the same. He doesn’t get it. Nor is he supposed to. These movies and albums aren’t intended for him. I’m sure Ice Cube doesn’t sit in a recording studio and say “Oh sh-t, my man Dole is gonna love this beat!” Of course not — it’s not for Senate majority leaders. Just think, if Dole has his way, we’ll be stuck watching “Golden Girls” reruns and listening to Rick Astley. That would be more frightening than any rap lyric could ever be. // eople say I glorify gangsterism on my tapes. I i—don't glorify it, I just talk about it. I'm not saying, 'Yougo do it.' I'm just saying that's what I've done - this is what it's all about around here ... when the rap thing came along, it pulled me out of the streets completely." - Spice 1 // I 'm talking about ... a culture business that makes money I from 'music'extolling the pleasures of raping, torturing I and mutilating women; from 'songs' about killing police men and rejecting law." . ' ' ' ' 'V ' ' ' ' — Bob Dole Senate majority leader In previous interviews with The Battalion, Spice 1, Digable Planets, A Tribe Called Quest and De La Soul talked about controversies surrounding rap music lyrics Digable Planets ike this gangsta s—it— it's so bulis--t. I'm not saying there are no gangstas ‘out there, but it's getting to the point of them bein' pimps. It's a f—ked up game and I don't like it. It's taking the fun out of rap ... Everybody's a cutthroat, everybody wants to kill each other just for a spot on the Billboard charts. Who gives a f—k?" — Doodlebug (front) A Tribe Called Quest | could never talk about shootin' nobody | or smackin' a bitch in her face. That s—t ■ is dead to me. I refuse to come out and talk about bustin' a cap. The generation of today is f—ked up and the generation of tomorrow is gonna be even worse, so we gotta look out for them." - Phife Dawg (middle) De La Soul ap is an entity like anything else. There can't be a positive side without a negative side. There's a lot of stuff said withing rap that I don't agree with, but I don't think it's right to censor them. You hear a lot of reports downing a Snoop Dogg or a 2Pac, but they don't come behind them and say, 'Here are some rappers that are doing something positive. They don't talk about that at all." - Posdnuos (seated left) jrrnits 5 pa sS o You Worry Too Much? Ibr. Steven Strawn is seeking volunteers for a ndup- ttions- j :atfp nsi 2 - month research study of an investigational medication for anxiety. 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