Jay* November 17, 1994 ilSBIIll llamy bringing unique style of comedy to A&M ay • November 1 Led tradition it used said. Class of ’96 Com Livities planned to ■om “groding”thes; Class of '96 wil m., 96 minutes al can Field. Class ve an opportunity s with an elephant, nedy said thattl will be at Duncatl a.m. until 5p.m, Rob Clark juniors will movet^rralign fter the seniors eir walk. Thecli pull-out yell pratfi; on will speak to tbei y will end for the picture in the shaj ield. Class of ’I ecting cannedf(| a service project; mg with the day's! Fhe juniors wil ng to feed 96 fc|an see them.” 3 food they colleetMamy got his comedic start in a beauty edy said people rint of all places. While attending Rut- traffic congestion■niversity, Bellamy participated in a vith Elephant Walpeauty pageant, complete with Ity and staff and wear and evening wear competitions, ampus may want® it was the talent competition that gave • the possibility cl Ms first set as a comic, can allow extra tiM to have a talent, and I wanted to do ing totally different,” he said. “I tried it worked. Once I got up there, I was ait a minute. I’m good to go.’” pamy’s energetic style of comedy is a one. Like his idol, Bill Cosby, Bellamy using profanity and sexual vulgarity in tine. ink a lot of people rely on profanity as which is not really necessary when the funny,” he said. “That was one of the I didn’t want at all. My comedy — it’s be raw, comfortable, silly, have flavor ill be funny.” lamy even graced the stage of HBO’s Aggie life The Battalion • P AGE 3 xas A&M, prepare for a booty call, omedian and MTV personality Bill ellamy will be performing at Rudder uditorium Saturday at 7 p.m. as part Town Hall and AJpha Phi Alpha’s Def ,c Jam. amy explained that a booty call, also e of his Showtime comedy special, is rence to guys that call late at night anna get with the ladies. Either you |o see them or you want to make sure l their campus fe] le said. Correction itional informat; eluded from an •ing in Wednesli of The Battalion, hite said an Ord stated people L— ■ ™ ... ■ xuals were 78 per )me dy Jam, a showcase of black comedi- pt than heterosen ?st children. is survey was ail >f misconceptions j 1 about homoser: at they were not a molest children, ‘ganization keeping campus bavrierfree for disabled students n: Why We Can’ll! m from one of I: said it is importari take Allen’s messal L change seriously. I this is very impor* ans that at times is extremely racy. But de spite his relatively clean routine, Bellamy made it out alive and scored well with the crowd with topics everyone could relate to. “I wasn’t talkin’ about sex and all that,” he said. “I was smart and talking about subject matter that would grab the audience’s atten tion.” This paved the way for Bellamy’s road to MTV. At the HBO taping, an MTV vice presi dent in the talent department saw Bellamy and approached him for an R&B-format show. “She tapped me on the shoulder and asked if I was interested in R&B music,” Bellamy said. “She said ‘We got this cool show going and we need a cool host. Would you like to do it?’ And I’m like ‘Yeah, if you tollin’ the truth!” Enter “MTV Jams,” a daily program featur ing the latest video hits in R&B and hip hop. And as the host of the show, Bellamy has had some mind-blowing encounters with the top stars in music. “I can’t believe it,” he said. “I never thought in a million years I would be bangin’ with these people. These are people that everybody wants to meet, but I meet them on a whole dif ferent plane. It’s not like ‘Oh my God,’ it’s just real smooth.” Bellamy even ran into the artist formerly known as Prince at a club. “He’s like real cool, just sittin’ there,” Bel lamy said. “Someone came up and said ‘Some one wants to meet you.’ I turn around and I’m like ‘Who?’ I can’t see him ‘cause he’s so short.” After being complimented by His Royal Badness, Bellamy said he was amazed to even be recognized by the reclusive star. “He said ‘You really do a great job. Keep up the good work.’ Yo, man — Prince watch es MTV!” But perhaps the artist with whom Bel lamy has the best relationship with is Janet Jackson. After two MTV specials featuring Jackson, Bellamy said they quickly became friends. “We just hit it off,” he said. “I can just call her up and say ‘What’s up?” Bellamy said his role as host of the show has quickly associated himself with R&B music. “I’m really happy about that — when peo ple think of music on MTV, they put my face with it. I’ve become synonymous with it, be cause I bring it to the masses with a lot of fun.” Another dream assignment for Bellamy was when MTV sent him to Woodstock ’94 to cover the wild festivities. “It was like chaos,” he said. “It was mud dy, stinky, funky. I had mud up to the crack of my butt. It was like one of those things that you had to have been there. For one moment, everyone came together for one cause.” But despite Bellamy’s hectic schedule, he still finds time to work on his comedy rou tines. And college audiences are the perfect audiences. “It’s fun,” he said. “The energy is always really high, and they are really my target audience.” And Bellamy said Texas A&M will be no different. “Tell the Aggies that when Bill Bellamy comes to town — ain’t nothin’ but a party.” tjyfelaAi ' Bill Bellamy largaret Claughton Sattalion n organization is making sure that Texas A&M is “barrier free” for students with disabilities, y We Can’t Wait. Support Services for Students With Leslie, studentMilities (SSSD) is an organization orks to enable students with and physical disabilities to par te fully in the college experience, e try to create a climate where and broaderfutofle with disabilities know they can 1. “Take whatsteslihatthey want to do,” said Gail nd go out and tsiafeers, assistant director of SSSD. id." Walters said the organization works an accessible environment on M campus. ID works directly with disabled ts to accommodate their needs and out of the classroom. ) officials interview students isabilities at the beginning of eate; ght. Would it be; the sake of ours? j time a residence cl from a female hall rey Bresler, tuations are note • residents supp that they had oil! to. Legettistheo lents do not wanti ir residents sipeij r ant to give up t I Law,” Bresler sail make the final (kl lade up of Resii ’uesday night tt. 'W consider the of the EHA and i final decision. each semester. Their needs are evalu ated and appropriate services are pro vided. Services are available to help any one from wheelchair users, blind stu dents and students with Attention Deficit Disorder. Reggie Deal, a journalism major who is blind, utilizes support services in many ways, primarily for tests and reading assignments. SSSD provides readers for Deal whenever they are needed. Deal said the services offered at A&M are far better than other univer sities. “The amount of services is like night and day,” he said. “They’ve got all sorts of people who volunteer to do reading and there’s a lot more equip ment we have access to.” Some technological resources avail able through SSSD are computers with braille and speech capabilities, tape recorders and even laptop computers. If a student needs services not di rectly offered by SSSD, the organiza tion works closely with the University and community to make sure they get provided for. “They’re really helpful,” said Kyle Kepple, a recipient of SSSD’s services. “If you have a disability or some kind of problem, they’ll do what they can to help you.” Kepple is also president of Net works, a student organization that works with SSSD to increase aware ness of students with disabilities. Kepple said the biggest barrier stu dents with disabilities must overcome is other peoples’ attitudes. “We’re working in Networks to get some attitude adjustments going,” he said. “There are people with disabili ties but you wouldn’t know it by look ing at them, and there are people like me with (wheel) chairs.” Kepple said many people who see a person with a disability see a person who can’t do certain things. “We can do the same things every body else can,” he said. “We just do them differently.” But additional accommodations are sometimes required to allow student accessibility to different activities. The Americans with Disabilities Act, activated in 1992, requires public entities such as A&M to make sure programs, goods and services are available and accessible to people with disabilities. Kepple plans to begin working with the A&M Physical Plant in the spring to make some campus areas more ac cessible. But the physical barriers can some times be remedied easier than mental barriers. The SSSD designed and distributed a booklet, “Partners in Learning,” to help faculty and staff members relate to and understand students with dis abilities. Walters said the booklet discusses the laws and issues concerning disabil ities. In addition, the descriptions of dis abilities are provided and helpful hints are presented to help staff members develop open, productive relationships with disabled students. In addition, Walters said the SSSD is working with Parking,Transit and Traffic Services and the Muster com mittee to make activities such as Bon fire and Muster more accessible to dis abled students. A disabilities awareness week is also being planned. he Interview with the clown — analyzing ‘Weird AV Yankovic 3N lief Opinion editor E, Photo editor Sports editor gielife editor avid Winder Battalion 3:40, he’s not calling. I knew it, I’m never to be able to talk to my idol. He’s already ten tes late — he ain’t calling me. ey, Dave. Telephone for you.” [1 right man, calm down. Get yourself togeth- is is only one of the defining moments of life. Okay, you’ve got your questions and e got your pen. Pick up the phone slowly, his is Dave.” sphanie Dube, Amand) d Kari Whitley m, Tiffany Moore, Stacy meron, Blake Griggs, a ley Stavinoha r, Stewart Doreen and a, Erin Hill, Jeremy Kedd 1 >eth Preston, Gerardo kley le Oleson ) Friday duringtheM immer sessions (exetp 1 Second class pc McDonald Bulk Texas A&M Universi 1 ! f Journalism. Editori) 1 /M1.TAMU.EDU. a or endorsement by call 845-2696. W 5 Reed McDonald Jl1 S-2678. as A&M student to semester, $40 per , Discover or Ameri 111 “Hey Dave. This is AL” It was really him. It was no longer a dream, it was reality. I was talking to “Weird Al” Yankovic. Now, it was time to ask him those amazing ques tions I had thought of. One problem, I can’t find the questions. “So, Mr. Yankovic, why did you decide to put out a box set?” “It was really my record company’s idea,” he said. “It feels odd because I think I’m too young to have a box set out. But I have been in the business 15 years so it is kind of nice.” ankovic’s best make good ‘Record’ David Winder : Battalion ice “Weird Al” Yankovic “Permanent Record” Scotti Bros. Records **** ]/2 (out of five) The Police, Michael Jackson and Madonna all de it big doing their own style of music. “Weird Yankovic made it big doing their music in his n style. The master of parody has changed the lyrics d added an accordion to almost every mega-hit the late ’70s. In his new four-cd box set “Per cent Record,” Yankovic puts all his classic tires and original songs into one collection. The compilation starts off with the original :ording of “My Bologna” (a parody of The Knack- “My Sharona”) and continues through his latest gle “Headline News” (a parody of The Crash st Dummies "Mmm Mmm Mmm Mmm”). In between you’ll find “Eat It,” “Like A Sur- on,” and “Smells Like Nhvana.” Then there’s e parodies that never made it big but are as creative. Another One Rides The Bus,” sung to the tune Queen’s “Another One Bites The Dust” — “Rid- g in the bus down the boulevard and the place is “etty packed / Couldn’t find a seat so I had to tP “ally i stand with the perverts in the back.” Then there’s “Spam,” a parody of “Stand” by R.E.M — “Spam in the place where 1 live / Ham and pork / Think about nutrition wonder what’s inside it now.” But what always made Yankovic a pleasure to listen to were his original songs. “Christmas At Ground Zero,” “This Is The Life” and “Trigger Happy” rival his best satires. Yankovic’s pseudo-love songs, however, reign supreme. “You Don’t Love Me Any more” is the best. “I guess I lost a little bit of self es teem / That time that you made it with the whole hockey team / You used to think I was nice / Now you tell your friends that I’m the anti- Christ.” The collection also features ' polka medleys which have ap peared on almost every album. Yankovic takes songs such as Metallica’s “Enter Sandman” and Foreigner’s “Hot Blooded” and plays them with accordions instead of guitars. If satire makes you laugh, if polka makes you dance or if you just have some money to spend then you need Al in a box. Yankovic entered the business by sending original tapes into the “Dr. Demento” radio show. Since then he has recorded some of the funniest and most creative songs to hit the air waves. He just can’t decide which is his favorite. “My favorite original songs would have to be ‘One More Minute’ and ‘You Don’t Love Me Any more,”’ Yankovic said. “My favorite parodies would have to be ‘Fat’ and ‘Smells Like Nirvana.’ “I’m asked that question all the time. It’s kind of hard to answer because I like all of them. It’s kind of like being asked which nostril is my favorite.” Yankovic first gained recognition in 1979 when he did a parody of The Knack’s “My Sharona” entitled “My Bologna.” He then turned Queen’s “Another One Bites The Dust” into “An other One Rides The Bus.” Since then, Yankovic has been a barometer of sorts on what is popular in music. “After ‘Smells Like Nirvana’ came out, Kurt Cobain was quoted as saying he knew that they had ‘made it’ after ‘Weird Al’ did a parody of them,” Yankovic said. “Brad Roberts of the Crash Test Dummies said that it was a mile stone to have a song of theirs parodied by me.” Not everybody feels that way, however. Yankovic has been denied per mission to use songs throughout his ca reer. He will only do a parody if he has the consent of the song- writer. “It’s all done in good fun and it helps their record sales,” Yankovic said. “But every once in a while, we run into peo ple that basi cally have no sense of hu mor.” Yankovic does have some subjects that are taboo. “I have a close circle of friends that keep me within good taste,” Yankovic said. “I really don’t think a parody of (Eric Clapton’s) ‘Tears In Heaven’ would “Weird Al” Yankovic be too good of an idea.” There it is, you’ve asked him all the questions you could remember. Ask him if he wants to add anything. “I feel you have peeled back the layers and ex posed an Al that nobody really knows.”