If this sounds like you, don’t ignore it. Because your doctor can help □ Feelings of sadness or irritability □ Loss of interest or pleasure in activities once enjoyed □ Changes in weight or appetite □ Changes in sleeping pattern □ Feeling guilty, hopeless or worthless □ Inability to concentrate, remember things or make decisions Q Fatigue or loss of energy □ Restlessness or decreased activity □ Complaints of physical aches and pains for which no medical explanation can be found □ Thoughts of death or suicide If the symptoms on this list sound familiar, tell a doctor. Because if you have several of these symptoms for two weeks or more, you could have clinical depression. It’s a medical illness that can be effectively treated in four out of five people who seek help. For a free booklet about clinical depression, call us at 1-800-228-1114. National Mental Health Association™ 1-800-228-1114 Paid for by an educational grant from Eli Lilly and Company 'Ji ' ! •*«" ©National Mental Health Association, 1993 rt ' ‘ <* Taking the LSAT? your way to the right answer. To get your highest possi ble LSAT score, you must: Discern the point and logic of arguments. Explain what you read. Understand how rules can order and limit the universe. Construct a written position. These are the thinking skills required of a legal mind. Skills tested by the LSAT. Skills taught by Kaplan. And only Kaplan. T H 1 N K 1 N G VS. c R A C K I N G Other companies say that you can aca the LSAT with gimmicks and short cuts — and a trick called "cracking.” They're wrong. On the LSAT, you will not be rewarded for cracking. You will bo rewarded for thinking. Give us a call today to sign up for intelligent LSAT Prep: 696-3196 KAPLAN The answer to the test question Page 4 The Battalion Thursday, April 8,195! 'Jack the Bear' explores family, monsters inside the human heart ByJENNYMAGEE The Battalion "Jack the Bear" Starring Danny DeVito, Robert J. Steinmiller, and Miko Hughes Directed by Marshal Herskovitz Rated PG-13 Playing at Schulman 6 The emotionally stimulating movie "Jack the Bear," which stars Danny DeVito in his most tri umphant role, is a different sort of horror story, one where the evil villains are the monsters that live deep inside the human heart. The Wicked Witch of the West, Frankenstein, Dracula, and many others have been the source of many a childhood! nightmare. These monsters of imagination are easily silenced with warm hugs and gentle comforting kisses. But how can a Daddy kiss away the pain of a mother's death, the instability of his drinking habits, or the tender affair of growing up? These are the monsters that can triumph over the purest love and the best intentions. Jack Leary (Robert J. Steinmiller) and his younger brother, Dylan (Miko Hughes) have been raised on monsters. Jack spent many a late night curled up on the bed watching his father host a late night horror TV show. John Leary's (DeVito's) role as hor ror host is not just a job, out a way for him to deal with the hardships of being a single parent, the pain of the car accident that took his wife's life, and the effects of a few too many martinis. The most captivating aspect of "Jack the Bear" is watching Jack grow up in a less than ordinary or ide al environment. When Jack begins his narrative, he is a young boy enthralled by his father's wild child ish character and cool status as the "master of mon sters." However, Jack reaches that pivotal point in the father-son relationship where his Dad is no longer a teddy-bear superman figure who ties shoes ana bandages scrapes. Not only is his Dad a mere human; he is a human with problems. Steinmiller's performance captures with incredi ble zeal and accuracy the intensity of the transforma tion of a son's image of his father. This young actor has mastered the portrayal of candid emotions in a manner that would put actors three and four times his age to shame. However, DeVito is not one of Black and Gold Robert Steinmiller, Miko Hughes and Danny DeVito star in 'Jack the Bear.' those actors. For a goofy-looking, big-eved lii man, DeVito calls upon a sincerity in this film that; both lacking in his clown-like physical appearances well as past work. Director Marshal Herskovitz, co-creator of "thi: tysomething," makes some interesting choice; throughout the movie that emphasize the poweift influence a father's example has on his son. Wte John and Jaci both sit brood ing in the par of memoriei Jack plops a: olive into hi! lemonade It match his fa ther's martini. In several instances in the movie Jack's passionate outbursts imitate his father's. Imaginary monsters, such as Frankenstein an; Dracula, retain their ability to inspire fear becaus older people teach younger children that these m ations of horror ana evil represent something that; scary. "Jack the Bear" illustrates the re-birth of ho man monsters (or follies) that reappear in the chi: that imitates the adult's example. While in some cases the folly of allowing thf movie industry to create mindless entertainment; apparent, movies like "Jack the Bear" that prese:: situations that the average individual can relate: are important forms of mental stimulation, becausi they weasel in on our emotions and apply their sb ries to our own lives. It seems fair to assume that the average personc this world had some sort of father figure at so® point in their lives. That memory is all that is nece sary to make this movie applicable and important. Steinmiller's performance captures with incredi ble zeal and accuracy the intensity of the transfor mation of a son's image of his father. Continued from Page 3 j jq, pageants, I have had.the opportu nity to work with other African- American women and see what they think and feel," she said. "It has been a very positive experi ence." But the exposure to different opinions has also made Lindley think more critically about her own opinions. "There are so many different personalities and so many talents African-American women have to offer," she said. "They shouldn't let society's opinion of them be their reality." Lindley said she would encoui .pge Qthfcr., woolen to entei pageant^ even if they were un sure of themselves. "Everybody inherently has the!: own talent- it's just a matter o! finding it and doing it," she said "The pageant was a way to brinf it out in me." Around Town Information is provided by the individual nightclubs and is subject to change. Gallery Bar College Station Hilton, 801 E. University Dr.; 21 and over. 693-7500. Friday, Saturday - Big Apple Trio. Jazz. Starts at 8:30 p.m. No cover. Kay's Cabaret Post Oak Mall; 18 and over; 696-9191. Thursday - Writers and Performers Showcase with John Muzyka and Chris Carroll. Starts at 9:30 p.m. $1 cover. Friday - Abraxas. Rock. Starts at 9:30 p.m. $3 cover. Saturday - Bobby Hall and the Ice Cold Blues Band. Blues. Starts at 9:30 pm. $2 cover. Stafford Opera House 106 S. Main, Bryan; 775-4082. Thursday - Pop Poppins. Progressive/alternative. Starts after 10:30 p.m. $5 cover. Friday -Root 1. Starts at 10 p.m. Reggae. $5 cover. Saturday - Whitey. Funk. Starts at 10 p.m. $5 cover. Texas Hall of Fame 2309 5 FM Rd 2818; 822-2222. Thursday - Special F/X. Country. $3 cover Friday - Johnny Lyons and the Nu Notes. Country. $5 cover. Saturday - Ken Ryan and Crossover. Country. $4 cover. 3rd Floor Cantina 20! BW. 26th St, Bryan; 822-3743. Thursday -Doggone Serious and Drum. Reggae, Friday-Texas Twisters. Classic Rock. Saturday- Eugene Eugene and the Solid Foun dation Band. Rhythm/Blues and Soul. Spankys 109 Boyett; 268-1192. Thursday -Dealer's Choice. Acoustic. Starts at 9 p.m. No cover. ACdlf FILM SOCIETY OF TEXAS A & M Call 847-8478 CIHtMA An MSC Student Programs Committee ( Lawrence of Arabia j -TONIGHT - 7:00 PM “ RESERVOIR DOGS’ PICKS UP WHERE SCORSESE’S MEAN STREETS’ LEFT OFF!’’ — Jim Hoberman, PREMIERE “ONE OF THE DECADE’S LANDMARK MOVIES!” - Russell Smith, DALIAS MORNING NEWS RESERVOIR It DOGS HARVEY TIM CHRIS STEVE KEITEL ROIH PENN DEMI TIER [r!^. a * nvi~ **CA. Q 1992 Miramax Films all nghts resarvad, Friday April 9 8 PM 10 PM Admission is $2.50 for all films. All films will be presented in Rudder Auditorium.