1991 V n —City napping iture of follow- he base business i the fa- getby. ffected," des rep- ce rental he esti- t of the i on Car- igh. I'm relocate, i here." md Re- Sunday 50-year- ng with ; in Aus- aval Air Station ary base ;nt com- upen. ly Gran- ep. Pete consul ts to be- force to for the ation of- uses for g it into ■locating or cre- 1 trade ve sug- e into a ns have d that's lo," Sva- e chunk orm that Ilian use :e's goal conomic Vir Force se pours regional d affects ch direc- Zhamber ptimistic a way to r in the ire. ; will be t have to iey'11 be d. "The 2 turning >e a thou- a sense, feet." will be a retirees rchased :hange. ;r Lifestyles ■hi ■i-iihii II* I i . IPMJ P 1 . W J 1 1 ** I I J ■! y i* I .mi 1)1 '■) 111'1>)I)M)J.WJ II )>. ■ Local immigrant entrepreneur takes pride in US. citizenship AnNam Tea House schedules Independence Day Music Test By Holly Becka AnNam Teahouse, 103 Boyett, is celebrating the Fourth of July with a two- day Independence Day mu sic fest. Wednesday features the following seven local elec tric bands: ARB, Black Mass, Blood Oranges, Liouid Wench, Phooey, Sister Moon and X's for Eyes. The show starts at 7 p.m. and cover is $4. Thursday features the lo cal acoustic bands April Fire, George Marshall, Glen Day, Implications, Renaissance Gypsy, and Ross Lambert ana Lori Vail. The show starts at 7 p.m. and cover is $4. Teahouse manager T.C. Nguyen says theatmosphere will be "relaxed" and both shows probably will last past 1 a.m. Music fest-goers are welcome to come in through out the evening, so if you can't make the show by 7 p.m. it's no problem to come later. Call 846-2898 for more information. By Holly Becka T.C.l .Nguye can who valu< I /en is a proud Ameri- ues the meaning of Independence Day. In fact, Nguy en spent five years in Texas dreaming of becoming a U.S. citizen before he actually could call himself an American. He was bom and raised in Vietnam, and his family escaped from the wom- tom country in 1980. They spent a year and six days — Nguyen re members this vividly — in a refu gee camp in West Malaysia. "There was not enough food and water there for my family," Nguyen says. "We ate beans for breakfast, lunch and dinner. To this day when I go to a Mexican restaurant, I tell them to leave off the beans." still live today. Of all his brothers and sisters, T.C. is the only mem ber of his family who continued school and obtained a high school degree. He learned English, got a scholarship to Texas Christian University and transferred to Texas A&M in 1984. It takes most immigrants about five years to qualify to be a U.S. citizen, but Nguyen says the wait was worth it. "The United States is a melt ing pot— a lot ofdifferent kinds of people came together to make this country what it is today, and I wanted to be a part of it," he says. "It's good to be an A m e r i - can." It takes most immi grants about five years to qualify to be a U.S. citizen, but Nguyen says the wait was worth it. A Catho lic church sponsored the seven- member family so they could leave the refugee camp in November 1980. Nguyen, his two brothers, two sisters and his parents, were on their way to Texas. The family arrived at the Dal- las-Fort Worm airport only to find no one was there to pick th Nguyen describes the most scary experiences of his life. "We didn't know any English and everybody looked at us strange," he says. The Nguye settled in Fort W« To cel ebrate the United States' pyen's sec- de, official ) pick them up. this as one of ens eventually orth, where they 215th birthday, and N ond year as a bona J American, he is throwing an Inde pendence Day bash featuring local bands. Nguyen, manager of AnNam Teahouse, booked seven electric bands for Wednesday and six acoustic bands for Thursday. Shows start at 7 p.m. and cover is $4. "I wanted to have a big cel ebration, and all the musicians coming have performed here be fore and are supportive of the teahouse," he says. "I wanted there to be a variety of music." ’Naked Gun 1 sequel shoots for laughs By Julia E.S. Spencer The "Naked Gun 2 1/2: The Smell of Fear" begins with a CRACK!, an OOF! and a THUD! as Our Hero, Police Squad leader Frank Drebin, is honored at the White House for his 1000th drug dealer kill. Never mind that he backed over the last two with his car accidentally. Drebin is back with a pratfalling vengeance, making life in D.C. miserable for the First Family and thebad guys alike. By the time the familiar intrusive police car title credits roll, the laugh-o-meter has al ready registered a pretty healthy reading. This enviromentally- themed latest episode in "Air plane!" production team Zucker/ Abraham/Zucker's Po lice Squad saga follows the bumbling Drebin (Leslie Nielsen) to the nation's Capital. He is trying to implicate schem ing industrialist Quentin Hapsburg (Robert Goulet) in a plot to replace the enerey ad viser with a look-alike who will persuade the president that the country has no need for energy efficiency or renewable re sources. Drebin is also trying to win back pert-and-sexy Jane Spenser (Priscilla Presley), who. since backing out of the wed ding after the first movie, has succumbed to Hapsburg's wily charms. Cop movie veteran Nielsen manages to keep a straight face while behaving like an untutored five-year-old gone berserk, and the ever-lovely Ms. Presley is pretty dam good as the wide- eyed heroine. Las Vegas fixture Goulet is capably oily as Quentin, and the goofy supporting cast of O.J. Simpson and George Kennedy is back again, mugging merrily away. As usual, the plot is second ary, a mere framework for the many sight and sound gags in this very silly spoof of crime dra mas and movie cliches. As with any sequel, the burning ques tion is, "How does it compare with the first?" In one sense, it's hard to say, since I saw the first one on video, alone, and the sec ond in a theater full of raucous college students. Naturally, this one seemed a lot funnier. Al though the first had a few memo rably hilarious scenes, the level of humor was extremely child ish, relentlessly vulgar and body- function oriented. Calling "21 / 2" irreverent would be an un derstatement, since a large num ber of laughs come at the ex panse of tne First Lady. How ever, the vulgarity has been toned down - just a tad, mind you - and the slightly more so phisticated humor is derived from a somewhat wider variety of sources. As a film buff, I relished the clever jabs a t movie-making con ventions, from the continuity jokes and '40s-era rear projection film visible through the car win dows, to allusions to "E.T.," "Casablanca," and "Dirty Danc ing." Zsa-Zsa Gabor appears in a cameo, and if you look fast, you'll see Mel Tonne. Although I found this movie amusing enough to yank me out of a veiy bad mood, the afore mentioned enthusiastic audience helped considerably in papering over the weak spots. The humor is also extremely topical - lots of political jokes about the current administration and its policies, although writers Pat Proft and David Zucker show admirable restraint in sparing Dan Quayle. "Naked Gun" takes a page out of Dana Garvey's book with its George Bush impression, (Bar is a gem, too) playing like an ex tended, very elaborate Saturday Night Live skit. Ultimately, the shelf life of this film can be mea sured in months; John Sununu may not seem so funny come December. It's hard to say whether it's worth five bucks or not, but if you like this kind of scattershot humor, a crowded matinee with a group of friends couldn't go too far wrong. As always, listen and watch carefully, or you're liable to miss something, and don't for get to stay through the credits - all the credits. f «■; • *» ...» ' , . . ■ t : " < . •• • it Costello's latest 'Mighty Like a Rose' paints gloomy picture by Timm Doolen Elvis Costello's latest album, Mighty Like a Rose, is another in a long line of great albums from one oftne most underrated songwriter- performers of our times. depth and complexity to the songs. The best song on the album is "The Other Side of Summer," with some cryptic (and critical) lyrics. For instance, it's hard to decipher whether Costello is criticizing or praising the late John Lennon wnen ne sings, "Was it a millionaire who said 'Imagine no possessions?"' In this outing, we see a more polished sound than in his early albums, much more like the sound ofhis last album, the phenomenally successful Spike (phenomenalcom pared to the rest of his work, that is). But unlike most of Costello's earlier work, this album has a bleak and ominous tone to it that in one repsect almost hurts the generally good music but in another respect makes it all the better by adaing But other lines make it clear he is down on some areas of our soci ety: "The pale pathetic promises that everybody swallows/ A teen age girl is crying 'cos she don't lookukea million dollars/ So help her if you can/ 'Cos she don't seem to have the attention span." This album contains more slow songs than usual for Costello, in cluding "Sweet Pear," "Broken" and "So Like Candy," which was cowritten by Paul McCartney. Another collaboration with McCartney, "Playboy to a Man," shows that Costello-McCartney will never become a Lennon- McCartney partnership. The songs are OK, but not as good as the ones that appeared on Spike or McCartney's Flowers in the Dirt. These are not the kind of songs you listen to when you want to cheer up in the morning. Drummer Jim Keltner helped write "Hurry Down Doomsday (The Bugs are Taking Over)," which foretells the day civilization will crumble and a swarm of in sects will take over the world. The better songs on the album are the faster and/or jazzier ones like 'Invasion HitParade," another bleak picture of civilization: "A woman works the tunnel in the middle of the night/ Picking up every lost object in sight/ Hand bags, toupees, lost legs and finger nails." These are not the kind of songs you listen to when you want to cheer up in the morning. But they are by ail means far more complex and meaningful than the average fare these days and are surpris- ingly well done for Costello, who has always been a superb crafter of lyrics. Despite the dark tone of the lyrics, the music is genuinely good and even upbeat m many of the songs. Overall I highly recommend this album, especially for anybody who even remotely appreciates the work of this nigly talented songwriter and musician. MEXICAN CAFE Open 24 hrs Happy Hour 2-7 p.m. M-F $2.95 pitchers Ask About Our Daily r i Buy 2 Breakfast i Tacos & yet drink* i FREE ■ ■ Two Expires 8-31-91 TWO J ■PeSOS * Alcohol not Included PeSOS* SNEAKY PETE ALL Summer Long Sundays 9 p.m. Lunch Specials! Buy Any Item*, Get One of Equal or Lesser Value FREE J (Value up to $5.00) (One Coupon Per Person) Tw0 Expires 8-31-91 TWO J Pesos * Alcohol not Included Pesos® 846-4135 Walk-In or Drive-Thru 303 West University Dr. College Station SALE • SALE • SALE • SALE • SALE • SALE • SALE • SALE < CONTACT LENSES 0 > .. o3 . ONLY QUALITY NAME BRANDS ^ (Bausch &. Lomb, Ciba, Barnes-Hydrocurve) $ 69 00 Pair For Standard Clear or Tinted FLEXIBLE WEAR Soft Contact Lenses (Can be worn as daily or extended wear) *Eye exam not included Call 696-3754 for Appointment Tiii i I niih hum i'll, SALE EXTENDED TO JULY 26, 1991 Charles C. Schroeppel, O.D., RC. Doctor of Optometry 707 S. Texas Ave.-Suite 101D 1 Blk. South of Texas Ave. & University Dr. Intersection College Station, Texas 77840 SALE • SALE • SALE • SALE • SALE • SALE • SALE • SALE 4 YES! WE HA VE STUDENT AIRFARES! mm LONDON $375 PARIS $369 FRANKFURT $405 MADRID $445 HONG KONG $559 COSTA RICA $229 ONE WAY FROM HOUSTON ALSO TEACHER and BUDGET FARES! EURAIL PASSES USSR/Europe Tours Language Learning Centers Councilfravcl 1-512-472-4931 — L to >ial na- d a } n y ion ? in om ard lar- ote tic- ian ITa all ha- dth nts lier ons eak ida ase per ing na- se- an ing per tain en- rm- ege also ild- res- ver- jnts ean tate ver- Jni- en a ■ the " he pec- ably ago, and- tem- re- ern- ;e a er is ! vis its ige4