The Battalion. (College Station, Tex.) 1893-current, July 19, 1989, Image 2
The Battalion OPINION "he l Wednesday, July 19,1989 ted i Personality plays rol in political outcomes Here in Realityville, there’s a partic ularly fine example of how personality influences the outcome of political struggles taking shape under the Capi tol dome. At issue — though settlement seems to be at hand — is the fate of workers comp in this state, and a critical factor in how it will all turn out is the personality of one man. Molly Ivins Syndicated Cote MARCHES 95 ..and this is my Lamaze coach. Serious moviegoers despise obnoxious, fidgety audiences The fellow in question is Rep. Rich ard Smith, Republican of Bryan, not a bad fellow and not a stupid fellow ei ther. Smith, who is chairman of the Pub lic Safety Committee, did not have much background in workers comp — he’s not a lawyer, he’s not on Labor or Insurance. But, according to the Speak er’s office, “he expressed an interest in playing a role on the issue” and so Gib Lewis made him the House chair of the interim committee that studied the problem of workers comp, and that gave him a year or so to learn the field. And he really worked at it, read every thing, talked to everybody, studied. compounded his problem byfrei)L: appearing disingenuous. Lessij frank. He may not be. Butheoflal conf used and defensive. The uncharitable interpretatoj this is that he’s ignorant. The chanj interpretation is that he has an ink ity complex about being the onh: lawyer dealing with the complex! Sometimes he seized on bad infos tion if it appeared to bolster his; Senators who don’t know him well this down to duplicity. What happened? When I was a kid, an unwritten rule of going to the movies was that you didn’t make unnecessary noise in the theater. In my family that meant no talking, no fidgeting, no obnoxious pop corn crunching, no kicking the chair in front of you, no humming along with the theme music, etc. enough to where almost everyone could buy them. Don Atkinson Jr. Guest Columnist This was promptly followed by the creation of thousands of cable channels, the result being that people like me, people who respect the sacred rules, could now stay at home with our VCR s and “The Days And Nights Of Molly Dodd” on the Lifetime network. Any violator of these sacred rules would be immediately: a.) Smacked in mid-sentence. b.) Rushed outside for a stern lecture, (i.e. “How would you like it if people came over to your house and talked while you were watching Hercules? Huh? Huh?”) Eventually I got to the point where I wouldn’t go see a movie unless it was something I just couldn’t wait for. I have found that watching movies on my VCR is much more enjoyable than see ing them in a theater. It’s a lot quieter, I can pause it if I need to and it doesn’t cost half as much as going to the theater. Now that the history lesson is over, the question still remains: Why are to days audiences so obnoxious? Sometimes you give a backbencher like Smith — some guy in his third term or so who’s never done much to write home about — a big assignment like that, carrying the most important bill of the session, and he’ll suddenly blossom. Given a chance to star, to do something that will really make a difference in peo ple’s lives, some legislators who have been loafing along will really take hold and display all kinds of heretofore un suspected abilities. It didn’t quite hap pen with Smith. Smith who is in real estate andn ments in Bryan, is considered extra capable by those who know him and also sincere in his desire tof comp system. But he was so afral getting “pencil-whipped” by theii yers, afraid each proposed change:: tained some secret loophole hecoi spot, that he was suspicious, del and difficult during negotiations. The answer, or at least the best an swer I can give, is that movie theaters now cater to an entirely different audi ence. c.) Arrested by the F.B.I. But what I can’t understand is, what happened in the first place? Why are movie audiences today so unlike the ones I grew up with? As I became older and realized that the “sacred rules” were really just com mon sense and good manners, I discov ered that most audiences were fairly quiet as well. Any person in the theater who talked loudly and continuously was immediately asked by either an audi ence member or the manager to quiet down since it was disturbing to others. Well, just like everything else, the an swer is not that simple. In fact, the an swer requires a slight history lesson. Since the introduction of Home Box Office, the VCR and the thousands of cable networks, people have become used to feeling right at home in front of a movie. At home it is OK to talk as loud as you like, to make as much noise as possible and to kick the chair in front of you. In the beginning, there were movies. Then along came the television set which was fruitfull and multiplied. In the years that followed, movies and tele vision existed side by side. And, since movies are now aimed at younger audiences, there are less adults and more children going to the theaters. Without adults, the sacred rules cannot possibly be enforced. Smith’s first mistake was to lose the moral high ground by writing a bill that appeared to include a fat piece of pork barrel for his own district. There was a clause in there setting up a special Cen ter for the Study of Workers Comp at — guess what?! — Texas A&M University, folks, right next door to Bryan. This caused veteran opponents of pork like the Unspeakable Hollowed of Grand Sa line (the social utility of Hollowell sur faces every now and then) to have con niption fits, and it was taken out. So here’s Smith, who’s carrying the ball for business, already looking like a greedy Pig- The only lawyer on the Houses ference committee is Steve \ Dallas, probably one of the sraaii House members in sheer IQ, l lens is a trial lawyer himself, wl him more on the Senate sided House side. The Senate sent five: yers into conference from theirsidfj Smith was nervous and defensiveeitJ time the Senate proposed a changtl had to scurry out of the room tocoiis with his own lawyers. Fortunately not many people had to be told to behave because it was under stood by audience members all across the nation that the theater was a special place. When you walked into a theater and sat down, it may have seemed like just any other building. But when the lights went down and the curtains opened, you and the people around you were transported away to an imaginary world in which anything could happen. Consequently, any noise or reminder of the real world would ruin the fantasy. But then one day, a man came into the Garden Of Entertainment with a new idea called Home Box Office. Now people could stay at home and watch movies instead of going to the theater. With the new technologies looming on the horizon for television, it would be my guess that the movie theater stands a good chance of going the way of the drive-in. Understandably ticked, the movie people responded by making the movies more spectacular. Screens became big ger, sound got better and popcorn went up in price. Considering the zoo that theaters have become, I can’t help but look for ward to the day when I can watch mov ies in the privacy of my own home with all the advantages of a larger screen and better sound. Actually, all the proposed research center at A&M did was to formalize an arrangement that already existed whereby A&M has a contract with the Industrial Accident Board to study the system: It’s not a bad idea to have a continuing outside audit of workers comp — it’s one of those deals you have to keep adjusting as you go along or it will get seriously out of whack — as it is now. But it looked real bad and was a tactical blunder. Smith also blundered a coup times in ways that made the other consider him untrustworthy — at: point his bill halved the compens: for widows of workers killed on I After the AFL-CIO indignantly cal press conference to point this out,S claimed “oops,” it was just a misi little oversight there, heh, heh. No® ter what his motivation, he thenloolj like either a dimwit or a cheat-Jl all, picking on widows is not go< He got his bill through the Hoi masterfully — of course, he started* a lot of high cards in his hand—bi did not shine during negotiations* the Senate. But then things began to change. It happened so slowly at first that I hardly noticed it. More and more I would go to see a movie, trying my best to obey the sacred rules set down by generations before me, only to end up next to some goober who couldn’t seem to sit still long enough to watch the movie. Things seemed to be OK again. Mov ies, television and Home Box Office had learned to exist together in peace and harmony. Don Atkinson is a senior journalism major and a cartoonist for The Battal ion. The legislative politics on the issue were pretty simple — the House is safety pro-business, while the Senate is either more pro-worker or pro-lawyer, depending on who you listen to. Smith The saga of Richard Smith comp bill, which may be mercifullyd to an end, is more of a sad storyl anything else. He misplayed a str hand and emerges, despite allhisl work on the issue, with his credit diminished. And it wasn’tabuiij of “smart lawyers” who did him in- did it himself. But then the movie people noticed they could make more money by ap pealing to younger audiences. The re sult was THE TEEN FLICK!!! As the years went by, the sacred rules vanished altogether. Audiences now kicked chairs, chomped popcorn, talked loudly, hummed along to the theme music and fell asleep with a reckless abandon I had never seen before. Young people flocked to their local theaters to watch great quantities of sex, violence, bad language and food fights. Older people flocked in the opposite di rection. miill/i/ 11 -I Shortly after this, the video-cassette recorder (VCR) dropped in price ei AUS lented ||o recal tnittee form. The ktors to pomp p fedne; session The 1 khe H< burned i Both Gib Lex comp aus: Hnti-abo rected I the seat Biitol. Bill l Jnited i [Gov. Bil |19 lawm ation of Special si fime.” The ' lion Le; purport! Iginp from int Jecision: Price, cently ra Texans i vould pi sue on tl jsession < ane be ca Cleme commen “Work right no jthe abort jing laws Tourt ru The Battalion (USPS 045 360) Member of Texas Press Association Southwest Journalism Conference The Battalion Editorial Board Ellen Hobbs, Editor Juliette Rizzo, Opinion Page Editor Fiona Soltes, City Editor Drew Leder, Chuck Squatriglia, News Editors Steven Merritt, Sports Editor Katny Haveman, Art Director Hal Hammons, Makeup Editor Editorial Policy The Battalion is a non-profit, self-supporting newspa per operated as a community service to Texas A&M and Bryan-College Station. 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