Record Reviews
“Pack Up the Plantation —
Live
Tom Petty and the
Heartbreakers
MCA Records
★★★★
In these days of synthesizers,
computerized drums and high-
tech music, it’s nice to hear
some good, ’ole fashioned rock
’n’ roll. Few can crank it out
better than Tom Petty and the
Heartbreakers.
For 10 years and six albums,
Petty has been keeping the
spirit of the ’60s alive in his mu
sic. Petty’s music borrows from
the best of the sixties — the folk
rock, psychedelia, the bayou
sound, the English blues reri
val, proto punk and Motown
soul — all still distinctively his.
“Pack Up the Plantation —
Live” is a double-album collec
tion of tunes recorded at va
rious places during Petty’s re
cent North American and
European tour. The Heatbreak-
ers, one of the best back-up
bands in rock music history, are
at their best. Guitarist Mike
Campbell and keyboardist Ben-
mont Tench, who have been
doing a lot of studio work for
Bob Dylan and Lone Justice, are
especially impressive. For this
tour Petty added a couple of fe
male back up singers and a
horn section that help round
out his band’s sound.
The best moments of “Pack
Up the Plantation — Live"
come when Petty pays tribute
to some of his influences. Pet
ty’s versions of the Byrds’ “So
You Want To Be a Rock 'n' Roll
Star” and the Animals’ “Don’t
Bring Me Dowm” show that
good rock ’n’ roll ages well.
Petty turns the Isley Brothers’
“Shout” into a show-stopping
good time.
Most of the album is filled
with hard-rockin’ songs. “Ame
rican Girl” and “Refugee,” hot
songs to begin with, are trans
formed into raw r energy, fm
not to fond of the wav “Rebels,”
from last year's “Southern Ac
cents" album, becomes an ul
tra-redneck, neo-Confederate
anthem.
Petty slows things down for
“Southern Accents” and a rever
ent version of John Sebastian’s
“Stories We Can Tell.” “Sou
thern Accents” offers a more in
telligent and optimistic view of
Pettv's Southern heritage than
“Rebels.”
Petty sings duets with Stevie
Nicks on a version of the
Searchers’ “Needles and Pins”
and his own “Insider.” Their
voices blend so well together it
seems that Nicks is the female
half of Petty.
There are a couple problems
with “Pack Up the Plantation
— Live" that keep it from being
a classic album. It’s a little too
polished for a live album. It’s as
if the band recorded the music
in the studio and crowd noises
were added later.
“Up and Down ”
Opus
Polydor Records
★
Once upon a time there was
a band called Yes. Yes created a
musical style that was taken in
several different directions by
several different bands. Super-
tramp took the style and made
it wdmpier than it had been be
fore. Now comes Opus, an even
wimpier band than Super-
tramp.
“Up and Dowm” is the first
American album from Opus.
No, this is not the tuba-playing
penguin from “Bloom County.”
This is a boring rock band from
Austria. The band, according to
their press release, is pretty big
in Europe. The first side of the
album is filled with live ver
sions of their European hits.
“Live is Life” has been getting
some play on MTV. It’s one of
those silly songs that you find
yourself humming all the time.
The rest of the live stuff is sim
ply bland and uninteresting ex
cept for “Opuspocus,” which
sucks worse than a stadium full
of Texas ticks.
Side two is filled with songs
recorded in the studio. Opus is
even more boring in the studio
than they are on stage. Fm
probably being too hard on
these guys. It’s not that they're
bad — they seem to be pretty
good musicians and their vocal
harmonies are clean and sharp.
But Opus is the musical equiva
lent of a McDonald’s ham
burger. “Up and Down” is a
McAlbum which comes in a
cardboard sleeve instead of a
plastic box.
There are too many other
McBands around, so Opus will
probably never make much of
themselves. They’ll be picked
up, wolfed down and only be
remembered as one of billions
and billions sold.
“Biograph
Bob Dylan
Columbia Records
★★★★★
For 24 years and 29 albums
Bob Dylan has done more for
popular music than most other
artists combined. Dylan was in
strumental in combining folk,
gospel, blues and country mu
sic styles to make rock music
broader in scope. Dylan is one
of the few rock ’n’ roll stars
who’s lyrics can be found in col
lege textbooks. “Biograph” is an
incredible look at Dylan — the
man and his music.
“Biograph” is a five-album
boxed set which includes 52 re
cordings from 1962 to 1981, an
extensive 36-page biography of
Dylan and Dylan’s own com
ments on his songs. Included
with Dylan’s best-known songs
are 21 recordings that have
never before been released on
an album.
Chian fanatics will be glad to
find “Mixed-up Confusion,”
“Groom's Still Waiting at the
Altar" and “Can You ' Please
Crawl Out Your Window?,” B-
sides that have been almost im
possible to find for the past 20
years, on the album. They’ll
also be glad to hear Dylan sing
some of the songs he has writ
ten for other people, including
“I'll Keep It with Mine” and “I
Wanna Be Your Lover.”
The music that Dylan is fa
mous for has been put together
on this album in such a way as
to give a coherent sample of his
brilliant but sometimes inco
herent career. Even if you’ve
heard all of these songs before,
they take on a new meaning
when arranged in this order.
Not necessarily chronologically,
but thematically, emotionally
and musically.
Dylan later made his name as
a singer of protest music. His
classic protest songs “Slowin' in
the Wind,” “Masters of War”
and “The Times They Are A-
Changin’” are put up beside
“The Lonesome Death of Hattie
Carroll” and other lesser-
known songs to show that Dy
lan had a firm grasp of social
problems and a strong desire to
see them end.
In the late 1970’s Dylan, who
was born and raised in a Jewish
family, announced his conver
sion to fundamentalist Chris
tianity. Dylan recorded three al
bums, “Slow Train Coming,"
“Saved” and “Shot of Love,'’
that dealt exclusively with reli
gious themes. Listening to these
albums is like being stuck at the
world’s most boring tent revi
val. Fortunately, only the best
songs from these albums are on
“Biograph.” You can listen to
“You Gotta Serve Somebody,” “I
Believe in You," “Solid Rock”
and “Every Grain of Sand”
without being beat in the head
with fire and brimstone.
“Biograph” is probably the
best collection album of its type
ever released by a record com
pany. It has something for ev
erybody. Newcomers will be
overwhelmed by Dylan’s pow
erful music. Long-time fans
will be thrilled by the pre
viously unreleased tracks. Ev
eryone will enjoy this insightful
look at an American legend.
by Karl Pallmej’er
music reviewer