C £861. ‘Z iaquiaooQ 'Aepua uoi\iEa^c^ jse-a yy reviews /Klbum by Cary Stegall Battalion staff Kim Games Cafe Racer EMI America Kim Carnes has combined her regular band with some of the members of Toto to create an album that has pleasant sound ing and stylish songs, but with out anything that promises to be a huge hit. "Invisible Hands" is the first cut off the album to be played on the air and it is easily identifiable as Carnes' work. The sound from the backup musicians has not changed much since "Bette Davis Eyes," but everything is handled more evenly, most like ly because of Toto's influence on matters of style. Carnes' vocals are more subdued but still strike out in the chorus. This album relies more heavi ly on ballads than previous works, and succeeds because of it. Tunes like "Met You at the Wrong Time of My Life" and "The Universal Song" are abso lutely lovely. Hopefully, "Cafe Racer" will not be ignored like Carnes' last work, which also was good but not destined for success. Clarence Clemons & the Red Band Rockers Rescue CBS Clarence Clemons has begun to build a reputation for himself. His hard playing on the sax in Bruce Springsteen's E Street Band has not gone unnoticed. Clemons has found his own people to back him up musical ly, and, with "the Boss" in for production, has recorded his own record. The sound is what you would expect after listening to Cle mons' other works — a basic R&B feel with smatterings of gospel and — a little surprise — some synthesizer borrowed from the Prince school of rock. The songs on "Rescue" are con sistent, with the same pounding energy that has made a name for Springsteen. The uptempo cuts like "Rock 'N' Roll DJ" and "Heartache 99" are the real guts of this album, providing a perfect setting for Clemons' sax and gritty voice. In fact, the only high energy that doesn't sound up to par is "Re surrection Shuffle," which has gone just a little too far with the lyrics. Clemons' shows more soul in his laid-back tunes such as, "A Man in Love" and the album's first single, "Woman's Got the Power." With the incredible di versity of backup musicians in the Red Bank Rockers, it is easy for the album to switch from rock to ballads convincingly, as Clemons proves throughout "Rescue." The Rolling Stones Undercover Atlantic The Rolling Stones, after near ly 20 years of album producing, has shown the world that it's still the best rock band around. Of course, being the best has its disadvantages—one of which is constantly being at the mercy of the critics. The Stones are char acterized as "old-fogies" when they stick to their original style, but as "sell-outs" when they react to new sounds. On their newest album the band has responded to the influ ence of some current musical fashions and has integrated these sounds into their own re pertoire without major changes. The percussion section has been built up for a stronger rhthymic pulse, much like the sound of "Sympathy for the Devil." The most noticeable change is the ex tended use of studio tricks to liven up the arrangement of tunes. Those tricks are evident on the first single released, "Under Cover of the Night." The "fade in and out" during Keith Richard's guitar chord echo moves the song into a short, fin al reprise. "Under Cover" is the most danceable, and probably the best, cut on the album. Other cuts, such as "Too Tough" and "She Was Hot," have the energy and a dash of decadance that are the Stones trademark, but after those the album moves along with very highs or lows. Even the Stones' average work — like this — has more to it than 90 percent of the albums out, so it is worth a quick listen. Perhaps this is just one of those albums that has to "grow on you." Barbra Streisand YentI: The Original Movie Soundtrack Columbia Barbra Streisand has been on a downswing since the release of "Guilty" in 1980, but her lull has not been a musical one as much as a personal one. "Guil ty" was a fine collaboration of Streisand and Barry Gibb that spawned several hits, but her last album "Memories" had only three new songs to go with the old hits. So where has Barb been you ask? She's has been working on her new movie "YentI," and out of the movie has developed a soundtrack. YentI is a voung Jewish girl who disguises herself as a man to go to a Yeshiva school. Whether this old theme works on the screen, it is strong enough to create several in teresting songs by writer Michel Legrand and lyricists Alan and Marilyn Bergman. With Streisand's lush voice added, this album becomes her most satisfying work since "Funny Girl," produced in the late '60s. Streisand is at her very best on the two singles produced sepa rately for both the movie and radio play. These songs, "No Matter What Happens" and "The Way He Makes Me Feel" have been re-worked in the stu dio by Phil Ramone and Dave Grusin to have a remarkably smooth and jazzy feel. Streisand Holiday by Angel Stokes Battalion staff Going home for the holidays means having lots of good food and drink. If you're tired of the old favo rites, you might want to try some of these. They also make great inexpensive gifts. Egg Nog Beat well: 9 egg yolks until fluffs and cream with 1 c. sugar. Add: 3 cups half and half one-naif c. sherry one-half c. brandy Beat: one-fourth t. cream of tarter 6 T. sugar Fold in egg whites and sprink le nutmeg over top. winds her way through the melody lines like the old pro she is. The finale for the movie, "A Piece of the Sky," is an incredi ble climax to the album, culmi nating in one of those pure sus tained notes that seem to float high above the instrumentation. This song is unfortunately over done in the last few bars where the listener is forced to listen to a tympani and harp orchestration tnat sounds like the closing line of a 1930 melodrama. "YentI" is the best album from Streisand in quite a while, and the early returns say the movie is just as good. Review albums provided by Hasting's Books and Records. recipes Peanut Brittle 3 c. sugar one-half c. water 3 t. butter 2 t. soda 1 c. white Karo syrup 3 c. raw peanuts 11. salt Boil sugar, Karo and water until thread spins. Then add peanuts and stir continously. Cook until it turns a brownish gold. Take from heat, add butter, salt and soda. Pour onto butter board to cool. Ice Cream Pumpkin Pie 2 pints vanilla ice cream 1 16 oz. can pumpkin 1 and a half c. sugar 11. cinnamon one-half t. ginger 2 nine inch graham pie crusts one-half t. salt 11. vanilla 1 c. whipping cream See RECIPES, page 12 Two country singers to perform this week by Shelley Hoekstra Battalion staff If country western is your musical preference, then this is your week in heaven. Wednesday night Road- runner Productions and WTAW will present George Strait in concert. Some of Strait's more recent hits in clude: "If You're Thinking You Want a Stranger," "Down and Out," "Amarillo by Morning," "Fool Hearted Memory" and "Marina Del Rey." Strait will perform in the Heavy Metal Coliseum lo cated at the comer of Hwy 21 and the East bypass of Hwy 6. James and Michael Younger will open the concert. Tickets are $8.50 and are available at Hastings Books and Records. Thursday night MSC Town Hall presents Don Williams in concert. Some of Williams more recent hits include: "No body But You," "Love Is On a Roll," "If Hollywood Don't Need You>" "Listen to the Radio" and "Lord, I hope This Day is Good." The Dallas Times Herald re cently said of the performer that "he is top-notch ... his styling adds nuances of mean ing, subtle shading, to the feelings which fill his songs. He can shift a rhythm just enough to make it clear that a sad song isn't a tragic one, that the hero will bounce back. He can hang on to a whisper longer than you ex pect him to, caressing it inti mately before he lets it go..." A musician since the age of 10, Williams is an outstanding performer on the guitar, man dolin and banjo, as well as a srong vocalist and accom plished songwriter. In 1981 Williams had two gold albums ("Greatest Hits Volume I" and "Best of Don Williams Volume II") and one platinum ("I Believe in You"). In 1981 he also received an award for Country Album of the Year — "I Believe in You." Don Williams will perform at 8 p.m. in G. Roleigh White Coliseum. Tickets are avail able in the MSC Box Office for $8, $9 and $10.