Battalion/Pagei
October 22,'
local / state
Battalion/Page 5-
October 22, 1982
I (hooper St.
commission
•d a request byBuildi
nc:. to rezone a 32.2-ao!
si of West LutherSitti
ledium density ho©
:■ family and loy dent
■ms. The comma:
main problem withi
s zoning designations
of access to Hollcns
out West Luther Sn
her approvals, the
re/oned several n
ed in a proposalbvEi
Properties, Inc.
commission appt
vote, a reconsioe
roning designation
1 commercial distti
»s defmition ol the
ines it as a district wit
tide only repair
•pair householditi
imilar to those,
or the new desigi
mission said, is to
cessive noise, out
of equipment or pi
■ssive dust andvibrai
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discernable frt 1 Musici, an Italian Baroque group composed of
the property line |l string instruments and a harpsichord, delighted
folds, 1 Musici gives
minuftaste of Baroque
| by David Stevens
n of the organization■ Guest Revi ewer
> er. Shields said that It was a delight for Texas A&M
p had requested su; an( i the local community to have
any activity which^jjjjsted 12 of Italy’s most famous
“etried in the catego lusicians in Rudder Audi-
or bigotry, that requftormm Thursday night,
ive been denied. ■! Musici, sponsored by MSC
n was not availablet,{)lera and Performing z\rts
and copies of a staiiBtiety, played a fine program
hand-delivered toc|lchamber music. The group
ipits of Ikes said oiil'Rs long been a champion of
ring the present a Baroque chamber music and
es, the Students (nMsented the delights of the
requests the studtiMroque period to its Texas
withdraw recognim AicM audience,
rganization. The Sul I Musici — Italian for “the
Equality is conipto 1 musicians” — played their first
public concert at the Academy
ijectives of the grot °* Saint Cecilia in 1952. T he
racted only 19 men
i the 9,000-plus sn
ody never wet
d officially, thoif
objected to sped
designed to
ttudents.
irtedly sought reW
four campus senai
■rved for minoritie|
student body is
hite.
body President J«
aid the universin
remains strong
ontroversy. “This#
our various Affirnu
i and other progra®
ities to continue,”!*
r reputation will!*
■ver.”
low
e of Earth and motf
ears to go aroundll*|
•nee of the larges
riter.
\L
g
Jji-
Im
xr
Hour
ements
photo-
grpup was formed because stu
dents of the Academy wanted to
Review
play chamber repertoire for
their own pleasure. But soon af
ter their first performance, the
group already had toured most
of Europe and within years had
attracted listeners in Asia and
the Americas.
The group still contains some
I of its original members. The en
semble contains six violinists,
two violists, two cellists, one bas
sist and a harpsichordist. The
group plays without a conduc
tor, but does as well as most
groups which have one.
Thursday night’s concert in
cluded concertos by van Wasse-
naer, Tartini, Vivaldi and Bach.
The first concerto by Count
van Wassenaer was a special
treat. The hypnotic and un
dulating textures were marve
lous, and the two solo violinists
spun sweetly above the concer
tino,
Tartini’s “Concerto in A Ma
jor” was one of the most delight
ful pieces of the evening. Soloist
Francesco Strano led the ensem
ble in the dancing, heroic music
of the first and third move
ments. His ornaments and con
trol of dynamics kept the music
vital and interesting.
Strano’s passionate and full
tone at the beginning of the
second movement perfectly
melted into the cadence of the
movement. Throughout the
evening, Strano’s musicality was
evident in his ensemble playing,
especially when the full consort
gave way to a thinner texture.
The next two concertos were
equally well-played. Vivaldi’s
“Concerto in A Minor” offers
solo parts for two violinists.
These parts were executed by
the concertmistress of the
group, Pina Carmirelli, and
Anna Maria Cotogni. In Bach’s
“Concerto in D Major” for three
violins, Walter Callozzi joined
the two in a well-played piece.
The Bach concerto is interesting
because of its kinship with the
“Brandenburg Concerto #6”
where Bach also was working
with groups of three similar in
struments.
The last listed selection — and
the only classical piece in the
program — was Mozart’s “Di
vertimento in D Major,” K. 136.1
Musici so entertained with their
impeccable tone, buoyant
temhos and apparent effortless
ness that Mozart surely would
have been pleased.
The group returned to an
appreciative audience and
offered a rousing encore.
David Stevens is a lecturer in
Humanities 201, Music Appre
ciation, at Texas A&M Univer
sity.
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"T- w T*
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CONTEST!
Register Your Organization
Forms Available
216 MSC
Student Programs Office
wJ J'~
start photo by Ortavio Garcia
its audience Thursday night with a program of
chamber music.
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