Page 2 THE BATTALION TUESDAY, SEPTEMBER 2, 1975 Charlie: fun-loving Egyptagreement: strictly military? By AMY ROWLETT Staff Writer The Aggie Players’ first fall pro duction, “You’re a Good Man, Char lie Brown, returns to campus Wednesday through Saturday nights at the Rudder Forum. Director R. W. Wenck said it is the first major musical by the Players done so early in the school year. He feels that with fall classes just getting started and no other major activities planned, more will have an opportunity to see it. The Charles M. Schultz-inspired musical features comic strip song and dance through 14 production numbers. Earlier done by the troupe in the MSC Ballroom, it ran four nights, with three sellouts and a 90 per cent capacity attendance. Primarily a fun-loving show, “Charlie Brown attempts to mesh adult and child-like qualities into its characters, forcing the viewer to realize that maturity is perhaps a combination of both innocence and experience. The Players production stars Jim Burford as Charlie Brown, Dana Herell as Lucy, Kathi Cowgill as Snoopy, Charles Blakewood as Linus, David Campbell as Schroeder, and Boni Peterson as Patty. Three additional characters were created by Wenck: Shermy, played by Bruce Kates; Violet, played by Melanie Dennis;and Marcy, played by Celina Ellington. Every actor gives a solid profes sional performance, but Lucy and Schroeder have to be singled out for stealing the show. Miss Herell has just the right amount of crabbiness and freshness needed to portray her famous character. Campbell s de livery and showmanship enable him to ham it up in places where his lines Roxy Music don t get many laughs. Since almost everyone knows Charlie Brown, it seems that it would be difficult to portray him. Burford disproves this, voicing his lines philosophically, and yet with a certain touch of naivete, giving an intimacy between him and the au dience. And, of course, there’s Snoopy; a talking Snoopy no less. Miss Cow- gill shakes, pants, licks, and howls so believably that the audience im mediately falls into puppy love. Tickets for the musical, on sale at the Rudder Center box office, are $1.50 to $2 for students and $2 to $2.50 for others. Jim Burford as Charlie Brown and Melanie Dennis as Violet help present the Aggie Players' first fall production, “You’re a Good Man, Charlie Brown. ’’ i>i><,t„ i>> caen Johnson The best of Britain By JOHN VANORE Staff Writer Howdy! Welcome back for another fun-filled year at Aggieland. For the benefit of all you new read ers, and all the old-timers who used to wrap fish with this page, these reviews will deal with rock music in all its manifestations — folk rock, acid rock (whenever I Hash back to 1967) , blues, and glitter rock, to name just a few. But my forte is heavy metal music. Rather than write simple-minded reviews of top-sellers, I tend to at tack albums from unique points-of- view. I also like to cover some of the lesser-known, but extremely talented groups and solo performers who seldom get much publicity or airplay. Like Blue Oyster Cult. Or Orleans. Or Roxy Music. Roxy Music is an outstanding British band that is often regarded as one of the few re maining sources of fresh and innova tive music in this swarm of for- mularized American Top 40 groups that are stagnating rock music. Three musicians names are read ily identified with Roxy Music. The first is Bryan Ferry, the group’s lead vocalist. Ferry has the voice, class, style, and looks to become the new Elvis Presley to all those moon struck girls out there who haven’t outgrown the ol Pelvis. The best description of his voice is probably to call him a crooner with a touch of Mick Jagger. Ferry has two solo albums out, “These Foolish Things and “Another Time, Another Place. He does a few of his own songs, but sings mostly older classics, like “Smoke Gets in Your Eyes,’ the great Platters hit of the ’50 s, or Dy lan’s “It’s a Hard Rain Gonna Fall. Bryan Peter George Eno, better known simply as Eno, started out with Roxy Music, and then left the group to embark on a solo career. Eno is often called the Scaramouche of the Synthesixer, and he considers his musical career as a creative ex periment. One of his favorite experiments is with repetition, and the resulting ability of the human ear to weed out minor changes and deviations in the pattern. All this leads to his concept of horizontal vs. vertical music. According to Eno, horizontal music begins at a supposed Point A, develops through Point B, and ends at Point C, whereas vertical music is a “solid block of interactions. Thus the listener can enter and leave it at any point. Eno may not be for everyone, but he definitely has some interesting ideas. Vertical music is available on Eno s two solo ventures, “Here Come the Warm Jets and “Taking Tiger Mountain (By Strategy).’’ Last spring, two fellows wrote to the Battalion about my Blue Oyster Cult review, and mentioned that group’s instrumental talent in the phrase “soaring synthesizers and screaming guitars. ” I’m not trying to downgrade the Cult, but, for some really soaring and screaming guitars, check out Phil Manzaners’s lead guitar on “Street Life, Roxy Music’s fourth album. Manzanera shines with a crisp, intense sound that comes across like wailing and teeth-gnashing, while George Har rison can’t get past the gently weep ing stage. I never imagined myself getting excited about some pretty basic guitar chords, but the life and fire Manzanera puts into his playing is something else entirely. “Country Life is very probably the best Roxy Music album to date. After listening to some of their ear lier stuff, this comes across as a logi cal progression in their musical de velopment. It is almost entirely good, solid hard rock, with a few lighter munbers thrown in for varie ty’s sake. Side One opens up with “The Thrill of It All and Edwin Job son, Eno s replacement, on piano. As the song develops, Manzanera opens up on guitar to back up Ferry’s excel lent vocals.“Three and Nine” is one of those softer songs—its perplexes me because I can t figure out the lyrics. It doesn’t stand out in a crowd, but Andrew' Mackay’s saxes cut loose to carry the song. Manzanera’s searing opening guitar licks make “All I Want is You’ stand out as just about the best cut on the album. Ferry jumps in with a fiery vocal burst of impassioned lyrics, and Manzanera’s guitar breaks easily rate another upward push on the volume. “Out of the Blue features those soaring guitar riffs 1 mentioned, Jobson’s synth esizer jumps from the background of the intro to trade on and off with Manzanera’s guitar. The close of the song finds the synthesizer Swapping roles with the guitar, which drops off to a background role. A bouncy, but low-key number, “If It Takes All Night," closes the side. Side Two is not quite as dynamic as Side One. Rather, it leans much more heavily on Ferry’s more- than-adequate vocal talents. “Bitter-Sweet” is a slow, somber af fair which, with its German lyrics, could have been used in the “Cabaret soundtrack. The keyboards on “Triptych, howexer, recall the soundtrack from some “B-Grade English spy flick. “Casanova goes back to the strong reliance on lead singer Fer ry, with some nice organ work that sounds like it has its roots in the keyboard artistry of Ray Manzared, formerly of the Doors. Also in this league is “A Really Good Time,” where Ferry the crooner comes on exceptionally strong. On “Prairie Rose, Roxy Music learns the meaning of the phrase, “Kick Out the Jams! On top of that, it’s patriotic, with lyrics like; “Texas — That’s where I belong, it seems to me/Texas — Lonesome star, shine on the big country. Manzanera puts across one of his best performances on the album or to date, and the band as a whole plays its best and tightest on this cut. Now that’s what I call saving the best for last. “Country Life,” in my biased opinion, is one of the finest rock albums available today. The sheer passion and intensity can carry the album, but the outstanding perfor mances given by all the members of the group make it sound even bet ter. In short, this record is a must. Cbe Battalion Opinions expressed in The Battalion are those of the editor or of the ivriter of the article and are not necessarily those of the university administration or the Board of Directors. The Battalion is a non-profit, self-supporting enterprise operated by students as a university and community newspaper. Editorial policy is determined by the editor. LETTERS POLICY Letters to the editor should not exceed 300 words and are subject to being cut to that length or less if longer. The editorial staff reserves the right to edit such letters and does not guarantee to publish any letter. Each letter must be signed, show the address of the writer and list a telephone number for verification. Address correspondence to Listen Up, The Battalion, Room 217, Services Building, College Station, Texas 77843. Members ol the Student Publications Board are: Bob G. Rogers, Chairman: Dr. Gary Halter: Dr. John Hanna: Roger P. Miller: Dr. Clinton A. Phillips, JeH Dunn, Tom Dawsey, ami Jerri Ward. Director of Student Publications: Gael L. Cooper. Represented nationally by National Educational Advertising Services, Inc., New York City, Chicago and Los Angeles. The Battalion, a student newspaper at Texas A&M, is published in College Station, Texas, daily except Saturday, Sunday,- Monday, and holiday periods, September through May, and once a week during summer school. Mail subscriptions are $5.00 per semester; $9.50 per school year; $10.50 per full year. All subscriptions subject to 5% sales tax. advertising rate furnished on request. Address: The Battalion, Room 217, Services Building, College Station, Texas 77843. The Associated Press is entitled exclusively to the use for reproduction of all news dispatches credited to it or not otherwise credited in the paper and local news of spontaneous origin published herein. Right of reproduction of all other matter herein are also reserved. Second-Class postage paid at College Station, Texas. MEMBER The Associated Press, Texas Press Association £ ( jjj ()r James Breedkn e Assistant Editor Rosie Hearn Managing Editor Steve Goble Citv Editor Steve Gray Campus Editor Karla Mouritsen Special Section Editor Mar\ Russo Sports Editor Tony Gallncci Photograph) Director Jack Holm Associated Press ALEXANDRIA, Egypt — Al though Egyptians portray the new U. S.-negotiated Sinai accord as strictly military, diplomatic sources here say it represents a new level of coexistence between two nations who have gone to war against each other four times since 1948. The practical effect, from the Egyptian standpoint, is to make another outbreak of hostilities unlikely unless Israel attacks. An Associated Press News Analysis To be credible, any Arab offen sive would have to include Egypt and its half-million man armed forces. Although they are drawing closer together, Syria and Jordan do not have the capability to wage a war against Israel on their own, the in formants said. The removal of Egypt from the front line is what most troubles radical Arab regimes and extremist Palestinian groups. They believe Egypt has sold out what they see as a sacred Arab obligation to re cover their land and destroy Israel. President Anwar Sadat has emerged from the latest round of U.S. peacemaking in the area a clear victor. But he may become the pariah of the Arab world unless the new accord serves as a dynamic for further moves toward an over-all settlement. Having rebuffed the Soviet Un ion, Sadat clearly is counting on the United States to maintain the peace momentum. “The Americans are going into this with their eyes open,” the sources said. “They realize if the Egyptian-Saudi Arabian axis is to continue working and the moder ates in the Arab world are to re main dominant, there must be progress on the Syrian front fol lowed by a return to Geneva.” Sadat believes Egypt is psycho logically ready for the blast of criticism expected from radical Iraq, Libya and the extremist Palestinians over the new accord. The state information organs have been mobilized to “sell” it. Thus far, Syria, Jordan and the moderate Palestinians have re frained from any direct confronta tion with Sadat over his policy. Through emissaries he has kept them informed of details of the negotiations. “Sadat is whetting the appetite of the other parties directly in volved,” Egyptian sources said. “And he expects the moderate Palestinians under Yasir Arafat to come to grips with new realities once the dust settles in a few months. In the Egyptian view, the most important aspect of the agreement, the one they believe will influence the other ’confrontation states” is the Israeli commitment to with draw from Arab land. “For the first time they are leav ing under a formal agreement,” a political source said. “Their policy until now has been to expand their hold on territory as a way of main taining the upper hand over the Arabs. © 1966 United Feature Syndicate, Inc. All Rights Reserved. YOU'RE A Good man CHARLIE BROWN" a Million am rm Cntiac njiiut KUttO* f* comic $«* pfwnns CHARLES M SCHULZ MuFc er ClAffK CCihtH Forum, Rudder Center September 3-6, 8:00 PM Students $1.50 $1.75 $2.00 Others 2.00 2.25 2.50 Tickets on Sale Now Rudder Center Box Office, 845-2916 MSC TRAVEL COMMITTEE proudly presents “We’ve Never Been Licked” Wednesday, September 3 — 7:30 pm in RUDDER CENTER THEATER come see this hilarious film about the a&m of yesterday whether you've seen it 4 times or never before! ADMISSION $1.00 (this movie is not rated X!) another msc activity THIS WAS THE LAST MORN INS I COULP SLEEP LATE! T 2 PEANUTS PLANS FOR THE SUMMER MERE AMBITIOUS. ^ ^ - STUPf FRENCH, LISTEN TO SARTOK QUARTETS, REAP “WAR ANP PE ACE "ANP START M^OIUN VEGETABLE 6ARPEN... ACTUALLY, 1 SPENT THE WHOLE SUMMER WATCHING 6AME SHOWS ON TV i Episcopal Student Center CANTERBURY ASSOCIATION WELCOMES VOU and SUPPER E UCHAr IST Tuesdays 5:30 P. M. 902 (South side of campus) Want VOU !!! “I arn ^ bread of life; He who comes to me shall not hunger, and he who believes in me shall never thirst!’ St. John 6:35