Gymnasts Perform In Bryan The college gymnastics team put on a special exhibition Tuesday afternoon to students of Anson- Jones Junior High School in Bry an. Coach Henry Walton and five of his charges put on the show, a special feature of the Boy’s For um. The show consisted of parallel bar exercises and trampoline stunts. Students participating were Ron ald Hunter, a sophomore from Spring Branch; James H. Davis, a sophomore from Brownsville; James Ellisor, a junior from San Gabriel; Charles Teas, of Bellaire, and David Groves, a sophomore from Denison. Walton said yesterday that, judging from the response of the audience, the show must have been a success. PRE THANKSGIVING SALE FARMER BROWN TURKEY TOMS lb. 3 RESERVE YOUR Thanksgiving Turkey Today! "OUR PRICE IS RIGHT" CELERY FRESH DATES Pascal - California stalk 9 C Calif. Sweet 3 - 1-lb. Pkgs. SAMUEL MOHAWK SHANK PORTION * ,,J9c BUTT PORTION Lb 47c CANNED PICNICS Patrick Cudahy 3 c?. $1.79 COFFEE “at" 59' CRISCO SHORTENING — 69' DEL MONTE PEACHES ” “ s 25' GLADIOLA FLOUR 39' CRANBERRY SAUCE 15' FRUIT PIES 29' THESE PRICES GOOD IN BRYAN ONLY—NOV. 17,18,19 238 SEE PERFORMANCE THE BATTALION Thursday, November 17, 1960 College Station, Texas Page S *Winle use Amazes I „ ■ ; f; i Record Audience A record crowd of 238 witnessed the third performance of “Winter- set” last night, and like previous audiences they were amazed at the intriguing acting coupled with timely sound effects, lighting, and eye-catching scenery. But the audience only saw a por tion of the total drama involved in producing the great American tra gedy. As action raged on stage, another scene as vigorous was tak ing place behind the sets, hidden from the audience’ view. Sound for the production, under the supervision of Bob Stein, was created through usage of over $1200 worth of equipment, includ ing a tape recorder, two mammoth amplifiers placed behind the scen ery, on the right side of the stage electric connections for “lighting” effect, and a large sheet of metal to create “thunder.” Following the lines as the actors played on stage, the sound crew knew exactly when it was time to “swing into action.” As the villian began talking of going outside, the crew turned on the tape recorder, and the sound of rain (recorded in a shower) poured out over the audience. Af ter a few seconds, the sheet of metal was “rolled”, issuing forth a sound similar to rumbling thun der. Result: the audience got the ef fect of a storm raging around and above them. The set, including walls of a cel- CO W IFE (Continued from Page 1) members of the audience usually feel they are a part of the orches tra and chorus. It was this effect Conniff was trying to accomplish. An expert lighting crew com bines color with sound during the performance to further create the mood of the certain musical num ber being done; in his meticulous perfection, Conniff hired only light men that could read music. The orchestra is composed of 18 celebrated . musicians, with eight singers in chorus. lar apartment, an alley scene, and in the background of a large bridge against a black background, with the skyline of New York City be low it, was designed by Dave Woodard and Charles Hearn under the supervision of Joe Donaldson, art consultant in the Division of Architecture. First, a sketch of the set was drawn in water color; revisions were made and the finished product was presented for approval. Then the work began. For two weeks, starting Oct. 31, a set and properties crew of nine cut, saw ed, nailed, painted and pieced to gether the scenery for the produc tion. The finished product was a mas terpiece of art and effort, with flexible design and eye-catching brilliance. Another hard worker on “Win- terset” is the house manager, Os car Saunders, whose job began on opening night and will last until the last spectator clears the the ater Friday. A set rule has been established that the play will start sharply at 8 p. m. and no-one will be permit ted after that time as a courtesy to those already seated. Saunders must enforce this rule—not easy to do at times. Directly below the stage, in the left corner of the seating area, blocked from the view of the audi ence, is the master control for the intricate lighting system, handled by Don Reynolds. The light man must follow the script very closely to see where different lighting effects are to be cast on stage, changing day into night, and fluctuation with the atmosphere cast by the actors on stage. Split-timing is essential and the lights man must be ever-atten- tive to his job. The audience only see the results and effects of these off-stage ef forts. yet without them, the action on stage would be useless. It takes much more than actors to produce a drama like “Winter- set.” Marlene Rushing, David White ... a smiling acceptance to dance Collegiate 4-H Club Formulates Year’s Activities Plans for the year are current ly being formulated by members of the A&M Collegiate 4-H Club, a club made up of men who parti cipated in high school 4-H work and wish to contribute their exper iences. Included among the plans has been the election of officers. They are Joe Wilson, president; Dub Sims, vice president; Word Sher rill, secretai'y; Bobby Quisenberry, treasurer; Dennis McIntosh, re porter, and Dr. Ben Cook, faculty sponsor. The group will meet tonight at 7:30 in the YMCA Building to conclude plans for a chili supper next month. ‘REVEILLE’ Continued from Page 1) isn’t the same with “Reveille” on a leash.’ The mascot was so upset by the muzzle she wouldn’t march at all. “The Battalion commented bit terly the Conference hadn’t re quired ‘hobbles on midget Mus tangs (from SMU) or on Long horn steers (from Texas U.) or on Razorback hogs (from Arkan sas) or a muzzle on a Bear (from Baylor).’ “It might also have noted this mascot, which happens to be guilty of the extracurricular nip ping, is ‘Reveille III.’ “That means that for many years earlier Aggie mascots took the field unleashed and unmuz zled and did no harm. It isn’t likely to happen again. “Why have a ruling based on improbability that might hinder the perfection of the traditional show put on by our Aggie friends or impair the great enjoyment this show gives performers and public alike. “We hope the Conference au- I thorities will back up on ‘Reveille.’ Let the Aggies put on their show their own way. With 240 of them on the field, a few more certainly could be detailed to make sure ’Reveille’ doesn’t get into any more mischief. “Let ‘Reveille’—and the grand spirit of Aggieland—run free.” AGGIES NEED ANY WELDING DONE ? ? ? ? ★ BUILD FURNITURE, TRAILERS, ETC. ★ BUILD GO-KARTS ★ WELD ALUMINIUM HEADS & MANIFOLDS Call On SPAW’S WELDING SHOP VI 6-7209, Night VI 6-8367 (Next To Marion Pugh Lumber Company) Today, everyone does more business by telephone. Even though you may be a “one man business”, a , second telephone line really cuts down on “call backs” and busy signals that waste time and irritate your customers. Call our business office tomorrow and let us look over your telephone setup at no obligation to you. it The Southwestern States ^ Telephone Company So different from ordinary cotton, Golden Pima has the texture and lustre of silk. Truyal craft- tailors this smooth Sanforized broadcloth with fine details: permanently sewn-in stays, ex pertly sewn seams, lustrous buttons. Enjoy luxurious quality at only S4.00. THE EXCHANGE STORE “Serving Texas Aggies”