8 THE BATTALION BIG NOISE MINSTEL WAS GREAT SUCCESS (Continued from Page 1) the entire cast have worked hard; to all of them goes the credit; and here’s our best wish that they may take the Big Noise out into civiliza tion and let others enjoy it as we did. for The Battalion to print everything else; but the work of the entire cast was always much above the ordinary and deserves all the applause that commended it. The redoubtable “Catfish” in mournful accent, pre ceded his entrance with the an nouncement that he could shake everything except the shimmy. But he could shake the audience with laughter and once, toward the last of his last song, the old roof and rafters oscillated audibly. Jack Fin ney made a gem of real sentiment out of “That Tumbled Down Shack in Athlone.” “Skinny” Vandervoort won an enchore in “By-Loe,” that crooning song of sleep time. His lyric tenor was admirably suited to the song and made it a very effective number. The Cast-Iron Quartet— Tucker, Wilson, Knickerbocker, Van dervoort—made real harmony in their group and the insistance of the crowd 1 for more showed the good taste of the crowd. “Breeze” by Todie Riley, was good. Riley filled an end-man’s job for the first time and filled it well. Red Thompson and Sunshine Mayo, old men at the game, kept the old peppery ball roll ing from their end of the line. Dud ley Moore, interlocutor, was thor oughly master of his position and, with the four end men, during the gaps between the music kept the audience in an uproar. George Young showed that he had a gift of observation and appreciation as well as of whistling in his imitation of bird calls. The chorus gave a very effective medley of the latest songs, srenc'ng the harmony well balanced aTiu^adapting itself to the time and spirit of each individual selection with a thoroughness that could only have been the result of natural abil ity and hard work. There is nothing in the music world, perhaps, that is so thrilling or so subtly appealing as the college chorus of men’s voices. It should be developed more at A. and M. “Catfish” Goodman can al ways be relied upon in his songs and his last born to an A. and M. audi ence followed one of his best. He has made his college years felt in many ways at A. and M.; he can point to many lasting characteristics of this College and say “I gave her that.” That was the title of his last song, and, while his swan-song, had none of the traditional mournful ness. “Cat” could not be expected to have the eyes of his last audience clouded with tears. Far sweeter to him is the rattle of the nails in the four-by-fours heard deep beneath the Farmer rebel-yell that makes the bloody Sioux war-cry in its grave turn green with envy and color the grasses of spring that send their roots into its decaying dust. Yea, verily, Mr. Goodman was enchored. Dudley Moore announced the final number and the curtain slowly fell as the wonderful melody of “Carry Me Back to Old Virginny” closed the Big Noise of 1920. The Big Noise was a success. And indications are that its success will be fully reflected in the 1920 Long horn, for the benefit of which it was produced. R. B. Goodman as di rector, has added another success to his long list. Finney and Franke, in charge of art titles. Bill Holik, electrician and P. B. Price, proper ties, played a big part in producing the show. Conscience was floor boss and it is to the credit of the corps that she had no trouble in keeping good order. The men in charge and THE AGGIE FIVE DEFEAT RICE IN BOTH GAMES (Continued from Page 1) these two games are all that now stand before another undefeated team for the Red and White. Both the Owls and Aggies started the same lineup each night. The lineup: McQuillen Kennedy Ehlert Brown Forwards Forbes Lovevt Center Dwyer Della Valle Hartung Mathewson Guards Substitutes—A. and M., Williams for Ehlert; Gouger, Pierce, Keen. Rice—Timpson for Brown. Referee—Henderson (Texas). THOUGHTS ON LIFE AND BUSINESS By C. B. Forbes. The fellow who isn’t fired with enthusiasm is apt to be fired. Excess is an arch enemy of suc cess. If top-notch effort wins you no happiness, there’s something wrong either with you or your efforts. Sit down and do some analyzing. After all, you’ve got to give full, fair value. Or you won’t last. Carlessness and failure are twins. The most valuable “system” is a good nervous system. Saving is Having. don’t spend it with someone who hasn’t. Don’t simply see how you can “put in the day”. See how much you can put into the day. Never contrive to make it easy for your concern to get along with out you. Make sure the prize you chase is worth the price. If you cultivate your talents you’ll always find an op portunity to use them. When in a fix, sweating will get you further than swearing. Let mules do the kicking, much as steering wisely. Don't expect poor work to lead to brilliant work hereafter. You have no idea how big the other fellow’s troubles are. It’s all right to aspire to control others, but have you began with Number One? Notice that two-thirds of “Pro motion” consists of “Motion.” There is a better market for smiles than frowns. The highest form of salesmanship is nothing but service. The only influence worth havin., is the influence you yourself create. The wages of idleness is demotion. There is no higher rank than that of worker. No title can ever make a loafer a noble man. There must be output before there can be income. Defeat is often a spur to victory. The best reward is sense of worthy achievement. Good times for all can only be the product of good work by all. LYRIC THEATER SPECIAL FEATURE PICTURE TODAY and TOMORROW She Lo ves and Lies —FEATURING— “Have you got a Mr. Mitchell: minute to spare?” Walter S.: “Sure.” Mr. • Mitchell: “Then tell you know about Calculus.” me all Norma Talmadge Heads 1 win—tails you lose. Ttaw as the game she play ed. She loved and she lied, and cupid but smiled. A new comedy romance in which lovely Norma Tal madge plays the dual role of her husband’s matronly wife and his young and vivacious affinity. She plays the most pleasing role of her career.. .See her tonight or Saturday Sure. HEAR THE 5PEG1AL :SS!C. i i I J i t T T £ t I ! ± I I $ t t PRICES—Adults, Lower Floor 35c; Balcony 25c. Children 15 Cents 1 t 1 I X 1 ! i i A ' ± T MIDNIGHT MUSINGS What makes girls act as though they don’t think you really mean it when you tell ’em they are beau tiful? * * * You never can tell about girls. But that’s all right. Just give ’em a chance and the sweet things will tell quite enough about each other! Gentlemen, we repeat with all the force and emphasis of a Firm Be liever that the girls who send boxes to A. and M. are the Sweetest Girls in the World. There just ain’t no doubt, it’s SO! * * * * Think how many people there are in the world and then listen closely and try to hear the small noise you make when you try to knock some thing. Don’t forget Norma Talmadge is in town today at the Lyric. • 4^4 4^4 4^4 4^4 4^4 4^4 4^4 4^4 4^4 4^4 4^4 4^4 4^4 4^4 4^4 4^4 4^4 4^4 4^4 4^4 4^4 4j4 4^4 4^4 4^4 4^4 4^4 4^4 4^4 4^4 4^4 4^4 4^4 4^4 4^4 4^4 4^4 4^4 4^4 4^4 4^4 4J4 4^4 4^4 4^4 4^4 4^4 4^4 4^4 4^44^4 4^4 4^4 ❖ ❖ ❖ ❖ *:• 4* ❖ ❖ *:* %- •:* •:* *:* *:* *:* *:* ❖ ❖ ❖ *:* EAT N llllilllllllll!IIIIIIIIIIIIIIIIIIIIIIIIIIIIM A T IIIIIIIIIIIIIIIM The SHIRLEY Short Orders Also Served. ijl X We call the attention of the Campus residents and £ cadets to our service on special dinners, % 4. lunches, etc. PHONE 17. £ ❖ ❖ T V T *1* ❖ «§• 1* A ♦y* 4$4 I--;-*;--;";"!—!—I-*;—